Album Review of High Lowdowns: Honey Moonshine
New England’s High Lowdowns hail from Worcester, MA and Rhode Island. The bulk of the band’s sound is an energetic, kinda twangy Americana, though the band covers a breadth of musical real estate, coming off as nearly an alt-rock band on at least one track.
The High Lowdowns are Gregg Levins (vocals, guitar, Farfisa organ, harmonica), Joe D’Angelo (lead guitar, bass) Scott Kenyon (drums, percussion) and Julia Benoit (vocals). Honey Moonshine is the band’s second full-length release, following its self-titled 2023 debut.
Honey Moonshine begins with perhaps the three most quickly catchy songs on the album. (It’s always smart to start a record with the songs that connect with listeners the quickest!)
Album-opener “So Much More to Life” reminds me, right off the bat, of a long-form version of a Hee Haw song. I mean that in a good way, of course. It’s instantly catchy with a sort of down-home wisdom message and delivery: “So leave all your troubles and leave all your strife. Believe me when I tell you there’s so much more to life.” It’s one of those songs that you initially think must be a cover because it feels so comfortable and familiar from the first note. But it’s not. It’s simply a good, catchy song.
“All Twisted” follows, another lively song feels like something the B-52’s might record… if they were an Americana band. Be aware, you will soon find yourself singing along with the chorus. But there’s nothing NSFW there, so don’t worry.
Next up, in the three-hole, is the album’s title track. “Honey Moonshine” slows things down a bit, with an almost haunted vibe, as you might expect from a Love Love song, but without the dark subject matter. I mean, it’s not a happy song by any means; quite the contrary, the music fits the mood. But it’s just a normal-type of sad.
Saying that the first three songs are the quick-grabbers is, by no means, meant to show disrespect to the rest of the disc. The whole 10-track record is a fantastic repeat listen. It’s just that the first two singles, if you’re thinking like a record company exec, should probably come from the album’s first three tracks.
The very next song, in fact – “The Devil You Embrace” – turns a really nifty phrase in its chorus: “We all got demons now to twist and turn our fate. They’ll walk you down pathways where temptation lies in wait. It ain’t easy but you’ll find, at the end of the day, it’s only you that gets to choose the devil you embrace.” I’m not sure if I’d describe that more as “cool” or “badass,” so I’ll meet somewhere in the middle. That chorus’ lyrics are “coolass”!
“Wilted” is another of my favorites, a moderately-paced danceabilly-ish number. And it’s followed by “Turn This Thing Around,” which is the song I mentioned being a little reminiscent of alt-rock – with an Americana influence, clearly, but it’s a distinctly different sound – albeit it enjoyably so – from most of the rest of the collection.
Those of you who favor “All Twisted” are likely to consider “Can’t Shake You Out” your second favorite track. It’s not a soundalike by any means, but it bops along with a similarly energetic tempo and delivery style. Meanwhile, I could say the same thing about “Soul Tied” relative to “Honey Moonshine.”
The record closes with “Sun Sets West,” a mid-tempo song that maintains a steady, moderately energetic tempo. Indeed, the core sound and delivery of the main portions of the song are relatively mainstream, rich Americana, but notably, the opening – and a late-song solo – have a slightly airy-instrumented structure that hints at a western style. It’s a fun closing number for Honey Moonshine, an enjoyable collection of songs that fit well together yet offer enough variety to provide an interesting full-album listen.
It’s also worth noting that the High Lowdowns’ style seems as if it would translate very well to a live performance, so it’s worth seeking out the band’s upcoming concert calendar. Perhaps, follow the band’s Facebook page for future gig announcements.


