Album Review of Dave Kerzner: Static (RecPlay Inc.)
Dave Kerzner is a singer-songwriter/keyboardist/guitarist/producer/sound designer and developer with an impressive resume that includes duties working alongside such luminaries as Alan Parsons, Genesis, Neil Peart, Keith Emerson, Tom Waits, Smashing Pumpkins, Steven Wilson and Kevin Gilbert. He also has been a member of prog rock groups Sound of Contact and Mantra Vega and has released two solo albums, New World and the current Static.
On his latest endeavor, Kerzner shines his conceptual spotlight on contemporary society, with all its political and moral dilemmas in full effect. Sonically, this is a record that is very much of its time, where every track beams with full spectrum fidelity coupled with accomplished musicianship. Kerzner is joined by his core ensemble of guitarists Fernando Perdomo and Randy McStine, drummer Derek Cintron and backing vocalists Durga and Lorelei McBroom. And, although this is very much Kerzner’s baby, both his core and special guest musicians make this feel like a unified “band” project.
Kerzner’s songs and stories are ripped from today’s headlines and infused with a somewhat cynical and jaundiced eye. Among the highlights, “Hyprocrites” sets things in motion via staccato guitar chords that punctuate the air. It is all about the political, partisan and moral divide that seems so prevalent at the moment. In it, Kerzner sings “Pointing at me, pointing at you, making us gorge on your point of view.” Also, “Giving to steal, standing to kneel, hurting to heal, failing to heal.” These are thinly veiled lyrics that immediately address the polarization in our society.
The title track “Static” sounds like a Pink Floyd outtake from The Wall. Perhaps that may be due, in large part, to the drum track, which is a sample of PF luminary Nick Mason. It’s kind of a dirgy and dark tale about the personal static we all feel in our dealings with each other on a daily basis.
“Chain Reaction” is a strong single, both from a chorus hook and melodic perspective. A real alt-rock feel combined with a progressive lead sensibility is at play here through the interaction of Perdomo and guest Chris Johnson’s guitarwork.
“Trust” is another standout track that features Beatle-esque harmonies and a strong Alan Parsons Project sensibility. The addition of cellist Ruti Celli provides an eerie baroque atmosphere to the song.
There are some interesting instrumental sidebars as well in “Quiet Storm “and “Statistic.” These are vehicles for some experimentation and sound design manipulation.
Famed Genesis guitarist and solo artist Steve Hackett lays down some wicked leads on the provocative “Dirty Soap Box,” and the multi-sectioned “The Carnival of Life” takes the listener on a thrill ride that ends, as the album began, with the urging of the protagonist Kerzner for the populace at large to take a look at itself and reflect.
There are fourteen tracks in all. Static is best listened to as a comprehensive piece, however many of the songs do stand on their own. If you are a fan of such classic albums as Pink Floyd’s Dark Side of the Moon, Genesis’ The Lamb Lies Down on Broadway, or Elton John’s Goodbye Yellow Brick Road, you would be well-served to check this out.
Keep up with Dave’s live performance schedule via the “tour dates” section of his website. His next gig, per his website is March 3rd at the Progdreams Festival in The Netherlands. Watch Dave’s website for additional dates as they’re added.
[You may also have recognized guitarist Fernando Perdomo’s name. I reviewed Fernando’s CD, The Golden Hour, back in December. -GW]