Album Review of Annie Brobst: Where We Holler
I reckon y’all know we’re big fans of Annie Brobst here at the Blog. From Eric Harabadian’s review of her debut album, My First Rodeo, to my coverage of her appearances at both Behind the Songs events and all three Local CountryFests, we’ve mentioned Annie’s name a lot. When she’s performing live, Annie owns the stage and the audience. She’s a big-stage-caliber country artist. And she’s proven to be a talented recording artist with songs that cover a broad swath of country music real estate.
Annie has a sweet, high voice that can be near-angelic on the slow songs, and she has an extra gear (or two or three) when she swings for the higher-tempo fences. The most frequent comparison for Annie vocals are to Miranda Lambert, all the way down to the puckishness in her delivery, though at times she amps it up to Dolly Parton-level mischievousness.
I’ll start my review with the biggest party song on Where We Holler, the sort-of title song “Holler & Swaller.” Long a drinking mantra at Annie Brobst concerts, this is the song behind the holler and swaller shouts (and shots) fired at Annie’s live shows. It’s the best showcase on this album for Annie’s comfort on that always-popular party-country end of the scale.
The album actually opens with “Jealous,” a reminiscent, relatable song that’s right in Annie’s sweet spot, one that’ll hit you with emotion then boom it to the rafters with a big sound in the chorus, tempering the pure-country melancholy guitar weep along with that hint of defiance that so often lurks beneath the surface of Annie’s vocals.
“Ain’t He the Worst” shows the first hint of Annie’s vocal playfulness in this downhome country mid-tempo twanger.
After the aforementioned “Holler & Swaller,” Annie follows with a more introspective, slow to mid-tempo drinking song, “Red Wine on My Mind.”
Annie follows with the biggest Opry-flavored number on the disc, “Amazing Greats,” paying homage to both the country gospel hymn that inspired the song’s sound and the country artists who inspired the woman behind the microphone.
“Little Girl Dreams” is one of the poppier country songs on the album, radio-friendly all the way down to its reminiscent lyrics, with small-town childhood memories of throwing rocks off a bridge to make a wish and of grandma sitting on the front porch.
Next up is the sassiest, most mischievous song on the album, “Baby Don’t Love Me.” It features the sort of fast-paced, playful lyrics that are invariably bound to be found on an Annie Brobst disc. (In that respect, it’s kind of a sister song to “You Either Love Me or You Don’t” from My First Rodeo.)
Annie shifts gears almost immediately, tugging at the heartstrings with the heartfelt, small-town story-song “Make Lemonade.”
I’d call “On the Record” a “lite” version of “Baby Don’t Love Me,” not quite as sassy and a fair bit more serious. And that leads up to the last song in the collection, the soul-searching, sweetly sung ballad “On the Road That Leads Me to Kentucky.”
A strong album from beginning to end, Where We Holler is a disc worthy of being the second of many rodeos. Annie Brobst is firmly establishing herself as a dependably exceptional country artist, one whose diverse song styles deliver something for everyone, while providing the variety to keep a full-album listen interesting.
An Annie Brobst show is an event. So be sure to catch one if you can. At the “Buy Tickets” tab of Annie’s website, you’ll find a summer full of Massachusetts shows, starting the Saturday, June 26 Team Song Is Born MS Fundraiser at Endicott Grille in Danvers MA. There’s a single New Hampshire show currently booked (the Gear Jammer Truck Show at Monadnock Speedway in Winchester, NH on Saturday, July 31). And there’s one show far afield from Annie’s home base: the Freedom Jam STL 2021 concert in Eureka, MO on Saturday, August 28. She’ll also be headlining Local CountryFest this year – an annual concert I’ve not missed since its inception – on Saturday, September 11 at Indian Ranch in Webster, MA.