Five Nights in London #1: Bob Malone

Bob Malone with Amy Eftekhari and Loose Moorings

100 Club, London
October 27, 2015

Bob Malone

Bob Malone; photo by Geoff Wilbur

Geoff’s Night Out: Five Nights in London

I’m in London for five nights and plan to review each show. I have a slow, cranky little netbook computer that isn’t cooperating (I love it because it’s small, but I hate it because it’s slow), and I fell asleep as soon as I got back to my room last after this first show, so I’m not necessarily going to guarantee I’ll get a review up on the night of each show, but I’ll do my best. And I kick off this series with a night at The 100 Club, featuring powerhouse rockin’ blues piano-man Bob Malone.

Loose Moorings

Loose Moorings; photo by Geoff Wilbur

Opening Act: Loose Moorings

Loose Moorings was the first band on the stage, and what amazing power and energy this band put forth. There’s almost a bit more rock than blues in this band. Hard rocking blues guitars, great vocals that were growling at times, simply powerfully tuneful at others. The best description of Loose Moorings, on this particular night at least, would be cross between The Cult and George Thorogood. They set the bar high to kick off the night with their blues-influenced, tear-the-roof-off-the-joint hard rock. Loose Moorings self-describes as “a black denim blues band that rocks!!” I can’t argue with that.

Amy Eftekhari

Amy Eftekhari; photo by Geoff Wilbur

Second Act: Amy Eftekhari

Indeed, that unenviable task fell to Amy Eftekhari, who delivered a more standards-singer/jazz (with a hint of blues) set with her relatively deep, raspy voice, backed by a team of extremely talented musicians, who were given ample opportunity to showcase their skills as well during Amy’s set. It was an odd placement as far as musical progression, nestled between Loose Moorings’ wall of sound and Bob Malone’s… well, Bob Malone. But Amy did yeoman’s work and absolutely earned the crowd’s appreciation and respect.

Bob Malone

Bob Malone; photo by Geoff Wilbur

Headliner: Bob Malone

I’ve known Bob Malone for years. I’ve reviewed his music and even interviewed him for my prior publication, Geoff Wilbur’s Renegade Newsletter, back in 1998. So it was a pleasure to finally see him perform live in a setting such as the 100 Club.

Bob kicked things off with a rousing rendition of “Why Not Me,” showcasing his gruff, engaging, sometimes Randy Newman-esque vocal style. Early on, as well, Bob showcased this talented bandmates skills, allowing them to shine. But really, this night was all about Bob, his trademark rockin’ blues sound on The 100 Club’s piano, and the engaging personality and expression he delivers to the fortunate audience at one of his live performances. And even though this was the last date on a grueling UK tour for him, Bob was spot-on tonight.

Early on, as he built the energy up, Bob brought the room down a bit and held its rapt attention with “Can’t Get There From Here,” a favorite of mine that had exactly the audience reaction it should.

Bob had the room rocking regularly, though, with his high-energy crowd favorites, “Rage & Cigarettes,” “Keep a Certain Distance,” and “Toxic Love,” before again bringing the tempo down with the emotional “Watching Over Me.”

The night closed with uptempo “Ain’t What You Know” and a rendtion of “Stay With Me” that would give Rod Stewart a run for his money. As Bob left the stage, however, the crowd reaction was immediate, and he returned for his encore to play the sentimental, heartfelt, passionate “Paris.”

Bob delivered everything I expected — great musicianship, terrific vocals that perfectly fit his well-crafted songs, and a supporting cast of exceptional musicians. Great kick-off to my stay in London.

What’s Next?

Well, show number two will be at The Bedford tonight (Wednesday night), followed by Thursday night at The Troubadour (in particular to see Sonya Titus perform). Friday and Saturday nights are still up in the air. I’ll keep you apprised as I decide, if I decide in advance.

6 thoughts on “Five Nights in London #1: Bob Malone

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