Album Review: Matt Jaffe & The Distractions – California’s Burning

Matt Jaffe

photo by Edward Saenz; photo courtesy of Shore Fire Media

by Eric Harabadian, Contributing Blogger

Album Review of Matt Jaffe & The Distractions: California’s Burning

Hot off the heels of his Blast Off EP, San Francisco-based Matt Jaffe returns with a full-length collection of molten-tinged rock and roll. On his debut release, Jaffe was barely out of his teens yet brought a rich and studied new-wave energy to the table that reached way beyond his years. With California’s Burning, the 22-year-old Fender axeslinger/singer-songwriter returns with a brand new autobiographically-inspired concept and vision. As the story goes, Jaffe attended college on the East Coast, and, after being away for an extended period and then returning home, he took notice of the differences between the two coasts. There is obviously a rich and storied history of California—from its depictions in movies to topography and colorful characters—that all play a part in the narrative of his latest project.

Matt Jaffe & the Distractions - California's Burning

image courtesy of Shore Fire Media

Right out of the gate, your ears are under pleasant assault from the heavily syncopated “Love is Just a Drug.” Its catchy riffs, hooks and harmonies envelop your senses and may even get you up on the dance floor as well. “Wander No More” continues in an up-tempo manner, with a barnburner of a tune. This has an urgent Robert Gordon-meets-Blasters feel that features great guitarwork between Jaffe and fellow Distraction Adam Nash. “Fire on the Freeway” is kind of a country/blues mesh where you can feel the scorching heat from the leader’s Telecaster attack. Jaffe sings of “burning across the western plain” rife with rockabilly passion and paranoid imagery. “Hellhounds of Alcatraz” displays a lot of fancy lead playing augmented by very vivid and cinematic lyrics and propulsive grooves. Each track seems to play like a mini-novella in a way, and this tune seems to dabble in mystery, intrigue and Hitchcock-like suspense.

Matt Jaffe

photo by Edward Saenz; photo courtesy of Shore Fire Media

“I Wanna Be Cruel” offers a breather in the form of a ‘50s/’60s type ballad. Here Jaffe shows his more sensitive side that appears an homage to both Elvii—Presley and Costello. “Write a Song About Me” picks up the pace again and has all the earnestness and punk rock bravado of southern California rockers John Doe and X. Once that stick of dynamite is lit, there is no turning back, with the runaway freight train that is “Locomotive Lightning.” This is a song that observes a look beyond Los Angeles and takes in the whole western coastline. This is controlled chaos, with enough crazy rhythms and shifting tempos to challenge the most accomplished mosh pit aficionado. Other highlights include the aforementioned Costello-like pop and sizzle of “Baby’s On a Bender,” the acoustic pairing with backing vocalist Christina Alvarado on “Red Snow,” and his impressive and faithful take on Johnny Cash, with “Folsom Prison Blues.”

In Jaffe’s own words, “ We wanted to make a record that sounds like the records we like; one that sounds like the music that turns us on, with buzzsaw guitars and whiplash drums. Dials at eleven. Forget the polish and forget the shine. Nothing between us and your ears. California’s Burning, so come and join us right here in the hot seat.” Kind of sums it up, doesn’t it!?

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