Album Review of Blurred Vision: Redemption
How does a band follow up a debut album the caliber of Organized Insanity? In the case of Blurred Vision, quite nicely, thank you. The gents don’t miss a beat on their second studio album, Redemption.
When I reviewed Blurred Vision’s London showcase, I leaned into the band’s obvious Pink Floyd influence. Then, later, when I reviewed Organized Insanity, I noted the broader classic rock influences, in addition to Floyd, that fleshed out the group’s sound. But the songs on Redemption package the band’s progressive and classic rock influences into an increasingly original Blurred Vision rock ‘n roll persona. Oh, sure, you can still pick out Pink Floyd, the Beatles, Electric Light Orchestra, and other influences, but Redemption is mostly just different flavors of Blurred Vision, variations on a theme. Whether it’s the band maturing or simply my increased familiarity coming into play – Sepp Osley’s voice is unmistakable – it’s easy to identify the trademark Blurred Vision sound after just a few notes.
The opening distorted electronic rhythmic beat of very first track, “One Day,” kicks things off strong, drawing the listener into the song and disc as the music builds into a somewhat haunting, rhythmic mid-speed soft-rocker.
“What Have I Become” follows, led by more aggressive drumming – not loud, but somewhat war dance-inspired – before the song rounds a corner into a singalong-styled openness. And perhaps the “I’m feeling numb” line is what suggests a “Comfortably Numb” comparison to me, not so much in the music itself as in its tempo and mood.
“Redemption” is similarly flavored, though features like the attention grabbing “I want to know” spoken mid-song and the enticing “waiting for the world to rise” lyric give “Redemption” an enticing uniqueness.
“Clever Dawn” ratchets things up a bit, with crunchy guitar and soaring bridges. The increased energy level serves as a nice transition to prepare the listener for the storm to come.
That “storm to come” is the first of the two energetic songs that most frequently get stuck in my head, “Magdalena.” It and “P.O.W.” are the songs I find myself singing to myself for days after playing Redemption. “Magdalena” is very nearly a clap-along number that always inspires involuntary dancing – in or out of your chair – and singalongs with “Whoo-hooo! Whoo-hooo! Whoo-hooo!” and “I wanna hear you sing it!” “P.O.W.” has a moderately tempoed, anthemic, high-energy, protest-song vibe. It’s not a singalong song; it’s a shout-along number! I imagine if it were ever released as a single, the natural short-version ending would be around the five-minute mark, but album rock fans will love the minute-plus creepy music interlude before a repeating siren-like guitar line begins the tune’s slowly building rocket-ride back to rockin’ awesomeness until “P.O.W.” clocks out at 8:36. I know Blurred Vision is a progressive classic rock band, but the three minute long instrumental sequence late in this song is probably the proggiest thing I’ve heard from these guys.
Sandwiched between those two tracks, you can hear the Beatles influence in “Mystic Garden,” though with a bit more ethereal, open, airy quality.
“Companion” and “Inside Out – Collision Course” close things out. Slow but steady tempoed “Companion” significantly reduces the temperature in the room after “P.O.W.” There’s an almost dreamlike sheen to its musicality, and it features some nifty, subtle dance-through guitarwork. “Inside Out – Collision Course” follows along the same sonic lines, then transitions via a drum run to a more energetic vibe – the transition between the “Inside Out” and “Collision Course” segments of this disc-closing number.
Blurred Vision, with its consistently high-quality songs and performances, has become one of my favorite bands over the last few years. And its position in a necessary but sparsely-traveled lane of the rock and roll highway, at least among currently active bands – the “peace, love, and rock ‘n roll,” classic, album-oriented rock lane, if you will – makes this band and album an absolute necessity, not just for fans of classic rock but also for people who appreciate great songwriting.
Whenever there are again tour dates in the future, you’ll be able to find them on the “Tour Dates” page of the Blurred Vision website.
The band has also hosted two annual John Lennon tribute concerts on Lennon’s birthday, October 9th, in support of the War Child UK charity, featuring Blurred Vision’s song for Lennon, “Dear John,” which appeared on Organized Insanity.