by Eric Harabadian, Contributing Blogger
Album Review of Dean and the Singing Blue Jeanne’s: Crossing the Boundaries
This is the debut album for guitarist/vocalist/multi-instrumentalist Dean Bailin and vocalist Jeanne Waller. But it is by no means their first rodeo. Both Bailin and Waller are NYC natives, with a hefty resume of production, side, and session credits in support of a laundry list of multi-genre musical artists. Perhaps Bailin’s biggest claim to fame was as a member of Rupert Holmes’ band in the late ‘70s and early ‘80s. His signature guitar licks on Holmes’ mega-hit “The Pina Colada Song” registered with fans and audiences around the world. And Waller toured the country in several high society orchestras and show bands.
After releasing a series of successful videos on various social media platforms for the majority of these songs over the last two or three years, Dean and The Singing Blue Jeanne’s emerge with a comprehensive audio document of said tracks that is nothing short of amazing.
The album opens with the vibrant and jovial “Fantasy House.” It’s a funky patchwork of kitschy social and celebrity references that will keep your mind and feet engaged. Bailin’s jazzy guitar filigree is exciting and Waller’s intricate vocal harmonies suggest the quirky sensibilities of the Tom Tom Club or B-52s. Bailin and Waller just have fun and let their imaginations run wild.
That’s followed by the Motown-influenced track “Enter This Night.” It’s a fresh and modern take on the classic “girl group” phenomenon, with Waller’s uncanny abilities to stack her vocals and take on the personas of three singers. (Hence, the multiple “Singing Blue Jeanne’s” reference.) Bailin’s sublime production (i.e., baritone sax, guitars and keyboards) gives the undeniable impression of a full ensemble. This track just makes you feel good, as a lot of classic pop songs used to do!
The chameleonic duo shift musical gears once again for the piano-tinged “I Believe in You.” Bailin handles the lead vocals here and, with each line, seems to be giving himself a pep talk. Landlords, bill collectors – everyone has their hand out. But the song is all about believing in oneself, no matter the odds. The Wurlitzer-like piano and “everyman/everywoman sentiment” recalls some of Billy Joel and Roger Hodgson’s classic work.
“Samba de Loves Me” is a cleverly worded Latin-flavored number that sets a dreamy romantic tone. It’s a smooth and intoxicating blend of Brazilian rhythms, acoustic grooves and Bailin’s Larry Carlton-like lead guitar. Waller sings the surreal lines, “Tonight’s a carpet ride through the looking glass where nothing matters but which way the wind blows… and if I get swept away, that would be okay.” And, with that, you are transported to an island never never land! Smooth jazz, Philly soul and Steely Dan-like hooks converge on the swinging “Persuasive.” Waller hits notes that reach for the stratosphere and really sells it. Her voice is slightly overshadowed by the surprising mid-section bass solo bridge by the legendary Jeff Berlin. This is sophisticated pop for the big kids.
The first of two live guitar-based performances by the duo can be found in Bailin’s “A Dose of My Affection.” It has a gospel/blues quality that recalls some of Jeff Beck and Jan Akkerman’s solo fusion work. “Three Coins in a Wishing Well” follows and seems to evoke the mystical and supernatural, with tales of gypsies, Satan’s daughter and the precipice of fate. Stevie Nicks or Adele might have a go with this one.
Funk and soul seem like comfortable havens for this duo and the tune “Rebind” seems to merge Motown, Philly and NYC-derived “doo wop” like no other. Waller delivers a lovely lead vocal, with superb and rich harmonies. Bailin’s underpinning of Wes Montgomery/George Benson-flavored guitar bits totally supports a light funky feel.
The title track “Crossing the Boundaries” is, perhaps, one of the most ambitious songs on the album. It deals with elements of spirituality, déjà vu and the relationships between one another. The sound design is grand in scale and envelopes your senses, with the lyrical hook, “Crossing the boundaries of flesh and spirit… Our voices cry out, we both hear it… Talking ‘bout fate, talking ‘bout love and talking ‘bout you and me.” It summons up music similar to the Alan Parsons Project, Toto’s deeper cuts, and the like.
The album concludes with the second live track called “Blown Away in Awe.” Here, the diverse guitar stylings of Bailin seem to evoke the spirit of classic bluesman Roy Buchanan. His string bending and laid back approach sum things up on a perfect note.
Dean Bailin and Jeanne Waller have spent many years behind the scenes. Crossing the Boundaries finally puts them in the spotlight and it’s a beautiful thing to behold.