Tag Archives: Luca DePalo

Live Review: KC & The Sunshine Band at the Bally’s Event Center

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photo by Luca DePalo

by Luca DePalo, Contributing Blogger

KC and the Sunshine Band

Bally’s Event Center, Lincoln, RI

May 9, 2026

On a Saturday night in Lincoln, Rhode Island, the famed KC & the Sunshine Band played to a sold-out crowd at the Bally’s Event Center. This show, which pushed two hours, turned a night of dull weather into a full-on disco party, remembering all of those ’70s classics.

photo by Luca DePalo

KC & the Sunshine Band was founded in 1973 in Hialeah, Florida and are still known as one of the most influential disco/funk bands to ever exist. With chart-topping hits like “Get Down Tight,” “That’s The Way (I Like It),” “I’m Your Boogie Man,” “(Shake, Shake, Shake) Shake Your Booty,” and “Please Don’t  Go,” the band continues to tour with founder and lead singer Harry Wayne Casey. This, being my third time seeing the band, I couldn’t wait to hear the setlist!

As the lights slowly dimmed down, the powerful 14-piece band slowly took the stage, performing a long medley of covers: “I Wanna Dance with Somebody (Who Loves Me),” “I’m So Excited,” and a mix of other ’80s classics. Although I didn’t expect this, it felt perfect to introduce every band member.

photo by Luca DePalo

The band is musically directed by Nyne, who plays the keyboards and sings lead/background vocals. The rest of the band includes Fermin Goytisolo on the percussion, David Simmons on the drums, Stephen Lashley on the bass, John Reid and Cisco Dimas on the trumpet, Miles Fielder on the trombone, Felipe Lamoglia on the saxophone, Michael Joy on the keyboards, and Christopher Lane on the guitar. Following the band are the background vocalists and dancers: Maria De Crescenzo, Anika Ellis-Mungin, Nadia Albulet, and Tarian Green.

photo by Luca DePalo

After each member strutted onto the stage, then came Harry Wayne Casey, instantly kicking into “(Shake, Shake, Shake) Shake Your Booty,” with me and the rest of the crowd rising from our seats. Instantly, I realized that even though his voice wasn’t in perfect shape like past performances, he still had the charm like it was 1976 all over again.

Going up to the front of the stage, Casey shouted, “Good evening Lincoln! How we doin’ tonight?” He continued, “Let’s go back to back to 1977 with Saturday Night Fever,” before performing the famed “Boogie Shoes,” which showed off how he still has those boogie shoes even at the age of 75.

photo by Luca DePalo

Following that track, the hits just kept coming. “Please Don’t Go” brought the emotion, “I’m Your Boogie Man” lit up the horn section, and “Keep It Comin’ Love” lifted everyone up from their seats. Another shocking moment was during the song “Rock Your Baby,” where Casey walked right past me, through the crowd, and sang with passion. I never had the opportunity to meet him in the past, so being about five feet from him felt like I was face-to-face with a superhero!

photo by Luca DePalo

One of the key moments of the evening that stood with me was about halfway through the show when Casey had a short speech. Casey stated “I hate to tell you, but if you came here with any expectations, thinking you were gonna see a 23-year-old me up here tonight, you missed that 55 years ago.” With humor, Casey stated “What the hell happened to me? I mean, I can’t even remember if that’s the way I like it. And getting down tonight is easy, but getting back up… not so much! And yeah, then the pandemic came along and I gained all this weight, I’ve never weighed this much in my life. I thought, we may have to rename KC & the Sunshine Band to KFC & the Sunshine Band!”

photo by Luca DePalo

Soon after came the mega hits. “Give It Up” created a huge dance routine and “That’s the Way (I Like It)” allowed for a beautiful sing-along. With each member walking to the front of the stage and being greeted by applause, the band then ended with “Get Down Tonight,” the perfect track to end a disco party.

Overall, KC & the Sunshine Band proved yet again how they are the founders in funk music. The other members in the crowd and I just couldn’t get enough! Everybody needs a night out in life, and it just felt like the perfect time to have fun.

As always, I love attending all of these local shows. Go support live music and put on your “Boogie Shoes” when KC & the Sunshine Band comes nearby you sometime soon!

Live Review: The Machine at the Park Theatre

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photo by Luca DePalo

by Luca DePalo, Contributing Blogger

The Machine

Park Theatre, Cranston, RI

May 2, 2026

These days, as we face the gradual fading of the classic rock era, more and more tribute groups are popping up, not just across the country but around the world. With legendary acts like Led Zeppelin and The Beatles long gone from the concert circuit, fans of all ages still crave the experience of hearing those iconic songs performed live, and that’s exactly where tribute bands like The Machine come in.

photo by Luca DePalo

The New York-based quartet formed in 1988 (almost 40 years ago!!) and has built a worldwide reputation of being one of the most authentic and dedicated Pink Floyd tribute acts in the United States. Unlike many tribute acts that come and go, The Machine has managed to hold both quality and consistency, where instead of simply playing the songs, they aim to recreate the atmosphere, sound, and emotional depth of Pink Floyd’s live performances. In addition, groups like “Brit Floyd” and “The Australian Pink Floyd Show” tour the world with a dozen members, while The Machine perfectly pays tribute by having four incredible musicians, which I personally feel is perfect.

photo by Luca DePalo

As the show began and the venue’s lights began to dim down, the iconic stage screen, (known as Mr. Screen) immediately lit up blue, before slowly kicking into my favorite Floyd track, the 13-minute “Shine On You Crazy Diamond (Parts I-V).” The song, which was written in dedication to founding Floyd member Syd Barrett, felt like the perfect opener to begin a long evening of hits.

The following tracks included “Breathe (In the Air),” “Time,” “The Happiest Days of Our Lives,” the crowd “Another Brick in the Wall, Part 2,” the bass-driven “Hey You,” and the cowbell-driven “Pigs (Three Different Ones),” before The Machine left the stage for a quick intermission. The set had also included the songs “Fat Old Sun” and “One Slip,” which (even though I had not heard them before) felt necessary to please the die-hard fans who wanted the deep cuts.

photo by Luca DePalo

One detail that became obvious after every track was the fact that the band was not afraid to improvise on every song. Whether it be an extended outro, a quick solo, or just a moment of spotlight, each member contributed to every track, and allowed for a perfect tribute to when Pink Floyd would tour together as a 4-piece.

During intermission, it felt like the perfect moment to just look around the venue, appreciate the atmosphere, and just love the vibe of the room. For me, concerts have always been a place of positivity, almost an escape from the outside world, where everybody unites to celebrate one thing: Music!

The band soon returned back to the stage to enter right back into the time portal for more iconic hits: “Have a Cigar,” my favorite “Young Lust,” “Money,” “Wish You Were Here,” “Comfortably Numb,” and the notable exception of the deeper cuts “High Hopes,” “Echoes, Part 1,” “What Shall We Do Now,” and “Empty Spaces.”

photo by Luca DePalo

The Machine is currently led by founding member Tahrah Cohen, whose musicianship was on full display throughout the night without ever feeling overdone. The band was additionally co-founded by bassist and lead vocalist Joe Pascarell, who sadly passed away in 2022, though his presence still felt true during the performance. His influence seemed to carry through in both the song selection and the band’s overall approach to honoring Pink Floyd’s legacy.

The current lineup also includes the incredibly talented guitarist and vocalist Ryan Ball, who perfectly stepped into the role of David Gilmour with impressive tone, matching many of the subtle tones, phrasing, and emotional details found in the original recordings. On bass and vocals, the newest member, Chris DeAngelis, provided a steady foundation, locking in tightly with the rest of the band and helping drive the rhythm section. Finally, the lineup is completed with keyboardist Scott Chasolen, who has performed with the group for over fifteen years, masterfully recreating the sounds of Floyd’s Richard Wright, with his own energy and improvisation skills.

As always, it is a pleasure of mine to go see these iconic tribute bands play across New England, and I can’t wait to review some more shows in the upcoming months! Keep supporting live music!

Live Review: Night Ranger at the Bally’s Event Center

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photo by Luca DePalo

by Luca DePalo, Contributing Blogger

Night Ranger

Bally’s Event Center, Lincoln, RI

May 8, 2026

There’s nothing like the vibe of a Friday night concert, and that can especially be said after last weekend’s show in Lincoln, Rhode Island, from Night Ranger. The band performed a sold-out 90-minute performance and proved how they can still “Rock In America.”

This being my second time seeing the band, and the first time seeing them headline, I came into the show with a huge sense of excitement. Some people come to the show expecting a solid night out — a few singalongs to “Sister Christian,” maybe a few graying mullets headbanging politely, and a sitting crowd. But what we got on Saturday was something way wilder. Something loud, tight, and genuinely moving at times. It wasn’t just a band doing their greatest hits; this was five guys giving it all, as if they had something to prove.

photo by Luca DePalo

The event center at Bally’s Lincoln Casino isn’t what you’d call a massive venue. It’s kind of intimate, very widespread, and the floor has an extremely colorful carpet, but the room is almost too lengthy for a concert. There’s no elevation as the sections go further back, so it’s just a flat floor that feels less like a concert venue and more like a business conference room. Thankfully for this show, I got to sit within the first few rows, but ran up to the front of the stage, or as some may call the “pit” area, when the bands intro song “Fight For Your Right” began.

Blue lights, golden walls, maybe even the smell of spilled beer and sharp cologne. But the vibe? Electrical. Just pure, sweaty rock proximity. And as for the crowd, it was a beautiful mess. You had diehards in vintage tour shirts, older couples head banging in their seats, a surprising amount of kids, and a handful of millennials. There was something very touching about seeing three generations shouting the lyrics to a song like “Don’t Tell Me You Love Me,” as if we were all at a church gathering.

Night Ranger didn’t start off the show like many bands do. As the lights of red, white and blue lit up each member, the band kicked into one of their huge hits, “(You Can Still) Rock in America.” If there were any doubts about whether they still brought it after 44 years, all thoughts were gone in the first 30 seconds. Lead guitarist Brad Gillis came out swinging, with his guitar screaming like it was possessed. That man didn’t just play notes; he acted the notes, and moved around the stage like a guy who just turned 40, rather than someone with grandkids.

photo by Luca DePalo

Brad may be the most underrated guitarist in the entire classic rock genre. Seriously, the way he manipulates his famed Floyd Rose, the sheer control he has, and just his nonstop energy. His solos during songs like “Sentimental Street” and “Goodbye” showed the monster he was and still is!

Then there was Keri Kelli on the rhythm guitar. Keri is the newest member of the band, although he has been with them since 2014, and replaces original guitarist Jeff Watson, whose legendary eight-finger tapping solos were perfectly played with originality and a mix of his own style. After years of touring and recording with so many ’80s hard rock artists like Stephen Pearcy of Ratt, L.A. Guns, Warrant, Pretty Boy Floyd, and even Alice Cooper, Keri brings the perfect energy to the band. And let’s not forget Jack Blades! He was everywhere on the stage. Leaning into the crowd, shouting out names, joking with people in the front row. His vocals were spot-on, exactly like the album. Gritty in the right places and sweet when it needed to be. And I can’t forget to mention, the man never stopped smiling, he was genuinely having the time of his life up there.

One key moment of the night was when the band performed an incredible version of the famed “Crazy Train,” in tribute to Ozzy Osbourne. Brad Gillis toured with Ozzy in 1982, replacing legendary guitarist Randy Rhoads after his tragic passing on the Diary of a Madman tour.

photo by Luca DePalo

And boy, the crowd wasn’t ready for this one; Jack Blades shouted in his microphone “Hey Brad, do you think these guys deserve a Damn Yankees song? I think they deserve a Damn Yankees song, so let’s do it baby,” before kicking into the songs “Coming of Age” and “High Enough.” Unfortunately, Damn Yankees have not played a full performance in decades, although there have been very few one-off performances over the years. But on this night, just hearing the intro to “Coming Of Age” made the whole crowd go, “Ohhhhhh my god…” It was magical. Totally unexpected and totally earned.

The pacing of the show was incredible. Right when things got nostalgic and emotional with “When You Close Your Eyes,” they slammed right into “Don’t Tell Me You Love Me” with enough force to knock the crowd down. You could feel the rhythm section driving like a mustang. No —— (frills), just thunder and sweat.

With Eric Levy on keys, he quietly stayed the glue of the whole set. Not flashy, not over-the-top, but essential for that 80’s sound. His intro on “Sister Christian” had this almost cinematic quality, like you were watching the credits roll on a movie you didn’t want to end.

photo by Luca DePalo

Of course, Kelly Keagy is still pulling double duty behind the kit and on vocals. When he stepped out front for “Sister Christian,” time kind of froze. It was a moment that you could feel it in your bones. That song’s been covered, parodied, and memed to death. But when Kelly sang it — raw, unfiltered — it was different; it was like hearing it for the first time all over again.

One thing I’m sure many didn’t plan for was getting a little choked up during “Sister Christian.” Sure, it’s rock and roll, not a local therapy session. But man, when Kelly and the gang started it out, it felt like a tribute to everybody in the crowd and everybody we’ve all lost over the years. Maybe you thought of a family member, maybe you thought of Ozzy Osbourne’s passing, or maybe you just thought back to your childhood (some probably thought about their couch at home).

When the crowd took over the famed chorus, you could feel it. A big, messy, beautiful wave of voices crashing together. Nobody cared how they sounded. Everybody was different. Whether they were on their feet, had their arms in the air, or just head-banged in their seat, no one checked their phones and no one headed for the exits. It was joyful chaos that combined to create magic.

photo by Luca DePalo

Here’s the thing: Some bands pack a setlist full of obscure deep cuts to prove something. Night Ranger? They know what we came for, and they delivered.

And when the show was finally over, the band stayed onstage a little longer to appreciate the fans who came out to the show, they truly took their time. Brad, Jack, and Keri threw out many picks. Kelly tossed several drumsticks into the crowd, including his drumming gloves, Jack high fived everybody within the first few rows, and Eric prayed in thankfulness. It felt sincere. It felt like goodbye and “We’ll see you next time.”

You may be asking, was it really worth it? Let me put it like this. I’ve been to some incredible shows in my life. Louder ones. Flashier ones with pyrotechnics and more energy. But I haven’t walked out of a venue smiling like that in a long, long, long time. There was something really special about a band that knows exactly who they are, how they are, and what they are to the fans. They weren’t trying to chase current trends. And they don’t try to act like it’s ’82. Night Ranger just showed up, played their asses off for 90 minutes, and reminded the sold out crowd that rock and roll is more than music.

Night Ranger may not be known as the biggest band in ’80s rock anymore, but on May 8th in a small town in Rhode Island, they were rock ‘n roll superstars, at least for one night. I’ll be sure to see them next time they come to New England!!

Live Review: Lita Ford and All Sinners at the Greenwich Odeum

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photo by Luca DePalo

by Luca DePalo, Contributing Blogger

Lita Ford and All Sinners

Greenwich Odeum, East Greenwich, RI

April 9, 2026

On a breezy yet warm Thursday evening in East Greenwich, Rhode Island, the solo singer Lita Ford performed an intimate night of classic songs spanning her whole career. Making her long-awaited return to the state, the killer performance proved how, even after time, the spirit of rock ‘n still is alive and well.

The Greenwich Odeum stands as one of Rhode Island’s true hidden gems, and as it celebrates its 100th year in 2026, the historic venue reflects a century-long legacy of entertainment and strong significance within the local community. Originally opening in 1926 as a cinema theatre, the venue has evolved completely, hosting everything from film screenings and musicals to local acts and concerts that span a huge variety of genres. After many periods of decline and costly restoration, the venue has been carefully preserved, maintaining its classic charm, while adapting to modern audiences. Today, it remains a vital cultural center, drawing both local talent and internationally recognized artists, and its intimate space continues to offer concertgoers a unique experience that larger venues cannot replicate.

Opening Act: All Sinners

Opening up the night was local legends All Sinners from New Bedford, Massachusetts. The band constantly performs around the New England area, and are no strangers to opening up for famed legends in the genre, with past shows including performances with Warrant, L.A. Guns, Ace Frehley of KISS, Lynch Mob, White Lion, Queensrÿche, Dokken, and an upcoming tour with Metal Church.

All Sinners; photo by Luca DePalo

All Sinners came onto the vibrant rock scene around 2023, and I – and many others – love them for their high energy, dynamic blend of hard rock and effortless high notes. Their 6-song set showed their true power with songs like “The Reason,” “We Own the Night,” and the set-closing “The Hunted.”

The 30-minute set was an honest showcase of four talented guys opening up for a legend and performing as if they were headlining! The band includes Mike Golarz on lead vocals and rhythm guitar, Nick Testone on lead guitar, Bruce Morrison on the bass, and Roger Chouinard on the drums.

Headliner: Lita Ford

Next up was the moment we had all been waiting for. From the moment Lita Ford and her band strutted on stage and kicked off the show with the opening number (and my personal favorite) “Gotta Let Go,” it was clear that this was going to be a night to remember for everyone in the audience.

photo by Luca DePalo

Lita’s rock and roll career began in 1976 as a founding member and guitarist of the famed female group the Runaways. The band’s raw combination of hard rock and punk spawned their famous hit “Cherry Bomb.” Then came Lita’s first solo record, 1983’s Out For Blood; then, 1984’s Dancin’ on the Edge. This LP earned her a Grammy nomination for Best Female Rock Vocal Performance, thus earning her the title “Queen of Metal,” which still stands today. Later, in 1988 came the Lita album, which boasted four hit singles, and then 1991’s Dangerous Caves, both being before the rise of grunge took over rock ‘n roll.

photo by Luca DePalo

At the Greenwich Odeum, Lita’s stage presence was as commanding as ever, effortlessly owning every inch of the stage. She dominated through tracks like “Playin’ With Fire,” the rockin’ “Can’t Catch Me,” and  “Larger Than Life,” spanning over 30 years of music. The set also included surprising covers; “The Bitch Is Back” by Elton John, “Black Leather” by the Sex Pistols,” and “Only Women Bleed” by Alice Cooper, all which lifted the audience from their seats.

With such a badass ensemble, Lita Ford fronts the band, delivering both vocals and guitar on every track, while drummer Bobby Rock drives a powerful rhythm, and bassist Mårten Andersson locks in the low end to support lead guitarist Patrick Kennison, whose sharp riffs bring the band to life.

photo by Luca DePalo

From the extended jam featuring a stunning drum solo on “Back to the Cave” to the lit up room in tribute to Ozzy Osbourne for “Close My Eyes Forever,” the Top 10 hit duet from Ozzy and Lita, the crowd couldn’t get enough the other night! It was truly captivating, and will go down as one of my favorite Lita Ford shows. But, I couldn’t forget the best moment that was saved for last, when everyone cheered during “Kiss Me Deadly” and danced their way through one of her biggest hits.

That Thursday evening in Rhode Island made nobody care about work the next day! As usual, it’s a pleasure of mine to keep supporting live music.

Live Review: The Man In Black at the Park Theatre

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photo by Luca DePalo

by Luca DePalo, Contributing Blogger

Shawn Barker/The Man in Black

Park Theatre, Cranston, RI

March 28, 2026

On a beautiful March evening in Cranston, Rhode Island, a sold out crowd gathered together to hear the unmistakable sound of Johnny Cash, performed by one of the world’s most respected tribute artists, Shawn Barker. Marking his long-awaited return to the state, after last year’s performance, Barker’s The Man in Black: A Tribute to Johnny Cash was more than a concert, it was a musical journey.

photo by Luca DePalo

About the Venue

The venue, named the “Historic Park Theatre & Event Center,” stands as a relic to over a century of entertainment, culture, and community in the city of Cranston. Since its early days, it has welcomed generations of audiences, evolving alongside the city while preserving its historic charm. Local entrepreneur Ed Brady and business partner Jeff Quinlan took over the theater and began extensive repairs around three years ago after it permanently closed in 2020. Now in 2026, the theater operates under the management of Spectacle Live, marking a major step in its revival. As part of Spectacle’s growing network of venues, the Historic Park Theatre has been transformed into a fully modern, performing arts center while still preserving the state that defines its century-long legacy.

photo by Luca DePalo

The Concert

As the band hit the first opening chords and began “The Wreck of The Old ’97,” the audience was already gripped tight, with the 6-piece group having a vintage stage presence and grateful emotion. Meanwhile, Barker stood upfront with a rich baritone voice, which glorified the following tracks, “Big River” and “Country Boy.”

Without any banter, Barker walked up to the front of the stage, with just a simple line. “Hello, I’m Johnny Cash,” Barker stated, before kicking into the 1964 hit “Folsom Prison Blues,” a classic in every setlist honoring the legendary Johnny Cash.

photo by Luca DePalo

The band includes Shawn Barker on lead vocals and the acoustic guitar, keyboardist Thomas Johansen, female backing-vocalist Emily Portman, drummer Steve Wilson (who is also the current drummer for the punk rock band Dead Kennedys), electric guitarist Dean O’Leary, and bassist Bruce Thomsen.

Barker’s conversational banter between songs made the night feel super special, due to the intimacy of the venue, allowing him to talk with the audience as if they were face to face. He spoke warmly about bringing this show for over 23 years across North America, and his excitement about returning to Rhode Island, before performing the classic hits “I Got Stripes,” “Hey Porter,” and “I Walk the Line.”

photo by Luca DePalo

After a well-deserved twenty-minute intermission, the second half took an unexpected turn. It opened with the thundering “(Ghost) Riders in the Sky,” my personal favorite, before diving into the famed “Man in Black,” the iconic name Johnny Cash earned after his consistent black stage attire at every show.

But what truly set Barker’s performance apart from other tribute acts was his willingness to lean into the later years of Cash’s career. His cover of “Rusty Cage” (originally by Soundgarden) filled with a surprise jam of Primus’ “My Name Is Mud” and a killer session of Whitesnake’s “Still Of The Night” was a thrilling highlight, especially for the younger audience members. And nope, he didn’t stop there, Cash’s famed covers of “Personal Jesus” and “Hurt” were performed with raw emotion, showcasing Barker’s deep understanding of Cash’s work. These emotional pieces were also some of his final songs before his death at the age of 71 on September 12th of 2003.

photo by Luca DePalo

Of course, no tribute would be complete without “Ring of Fire,” which had the entire theater singing along. And just when the crowd thought the night was over, Barker returned on the stage for an encore with “Cocaine Blues,” a fiery finale that left the room buzzing for more after the last note rang out.

Shawn Barker delivered not just a night of paying tribute, but a full celebration of Johnny Cash’s timeless legacy. From the early Sun Records hits to the darker, more deeper era, Barker honored every chapter with heart and performed as authentically and pure as he could.

If his promise to return next year holds true, Rhode Island will surely welcome him back with open arms. Until next time, keep supporting live music!!

Live Review: Brit Floyd at The Vets

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photo by Luca DePalo

by Luca DePalo, Contributing Blogger

Brit Floyd

Veterans Memorial Auditorium, Providence, RI

March 1, 2026

On a chilly Sunday night in the city of Providence, Rhode Island, rockers gathered at The Vets to celebrate the legendary music of Pink Floyd with a performance by Brit Floyd on their The Moon, The Wall and Beyond tour. The two-and-a-half-hour set was filled with classics, deep cuts, and fan-favorites that were performed note for note by the 9-piece band.

Having performed over 1,000 shows since the band’s launch in Liverpool, England in January of 2011, Brit Floyd has circled the world, has sold out tours across Europe, North America, South America, and the Middle East, and has performed concerts at some of the world’s most iconic venues, including London’s prestigious Royal Albert Hall, the beautiful Red Rocks Amphitheatre in Denver, the historic Greek Theatre in Los Angeles, NYC’s Radio City Music Hall, and too many other venues to name.

photo by Luca DePalo

This night was more than a tribute to the legendary founders of the original band – Nick Mason, Roger Waters, Richard Wright, Syd Barrett and David Gilmour – but a celebration of their work that still stands as iconic today.

While walking in, I and many others in attendance could just feel a rush of excitement in the air. The venue, built in the 1950s, carried a charm that blended perfectly with the anticipated audience. Conversations echoed, laughter filled the aisles, and every passing second seemed to build toward something… that thing being unforgettable.

As the lights began to dim, the band stormed the stage, opening with the lighter track, “In The Flesh?”, instantly signaling the promise of performing The Wall. The slow, steady build of the intro created a buzzing tension throughout the venue, and perfectly pulled in the audience.

photo by Luca DePalo

Following the first track, classic hits were played from the record such as “Another Brick In The Wall, Parts 1 & 2,” the guitar shining “Hey You,” and the groovy “Young Lust.” Not only did the first set cover tracks from The Wall, but also 1971’s Meddle and 1987’s A Momentary Lapse of Reason, creating the perfectly balanced set. After a 20-minute intermission break, the audience was ready for more power!

Instantly, with the lights slowly turning off, the band kicked into “Breath (In the Air),” starting off the Dark Side of the Moon set. This set included plenty of songs from the album like “Money,” “Time,” “Us and Them,” and many more.

But nothing compared to the performance of the song “The Great Gig In The Sky.” Female vocalist Jessie Lee Houllier absolutely crushed the track; it’s not an easy one to tackle at all, yet she delivered the soaring vocals with confidence and power, earning her one of the loudest standing ovations of the evening.

photo by Luca DePalo

Now with the mention of Jessie, I can’t forget to name the current lineup. Although the lineups have changed every once in a while, Brit Floyd in 2026 is: founding members Damian Darlington (guitar and vocals), Ian Cattell (bass and vocals), Rob Stringer (keyboards and vocals), and touring members Randy Cooke (drums), Rhiannon Dewey (saxophone and percussion), Shannon Fayth (backing vocals), and Lisa Melfi (backing vocals). Every band member contributed to recreating the iconic sound of Pink Floyd’s studio work, which would not be possible with just five members.

Before ending sharp at 10:00, the band finished with the iconic track “Wish You Were Here” and the guitar shining “Comfortably Numb,” before coming back with an encore featuring “Run Like Hell.”

The night truly felt like a throwback to an era when albums were more like experiences than just entertainment. This music of the ’70s carried truth, depth, and clarity, still holding its boldness decades later. For a few hours in Providence, Brit Floyd didn’t just perform some covers of Pink Floyd, they transported the audience back in time.

photo by Luca DePalo

Looking Ahead

You can find upcoming Brit Floyd tour dates on the “Tour” page of the band’s website. The band will be in Boston tomorrow night, March 6th, one of four remaining New England shows before their tour takes them out of the region and, eventually, to every region of the U.S., so check out the calendar for concerts near you.

Meanwhile, Providence locals probably already know to check out the “Events” page of the venue’s website for upcoming performances spanning a variety of the arts at The Vets.

Live Review: The Artimus Pyle Band and SoulShine at the Stadium Theatre

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photo by Luca DePalo

by Luca DePalo, Contributing Blogger

The Artimus Pyle Band and SoulShine

Stadium Theatre, Woonsocket, RI

February 20, 2026

On an gloomy night in Woonsocket, Rhode Island, snow was falling through the streetlights. Just down the block, the Stadium Theatre was buzzing with life. Inside, the sound of rock music was loud and clear. The Artimus Pyle Band and SoulShine were co-headlining a show with drums, screaming guitars, and a lot of energy that made the cold weather outside feel forgotten.

photo by Luca DePalo

The crowd was packed into the theater, excited and waiting for the show to start. When the lights went down, SoulShine, the Allman Brothers Experience walked out to a cheer. They started playing away with their first song, “Statesboro Blues,” from 1971. The room lit up with energy. The bluesy guitar riffs and deep bass lines filled every seat pulsing with electricity. It felt like Duane and Gregg Allman’s spirit was there just like when they started the Allman Brothers Band in 1969.

SoulShine kept playing hit after hit. “Blue Sky,” “Ramblin’ Man,” and “Midnight Rider.” Every song was loud and full of soul like the originals. The two guitar players traded solos that soared above the lights while the rhythm section kept everything tight. People were singing along, swaying to the music and getting lost in the groove. Some knew every word while others were just amazed by the band’s performance. After an hour, it was clear that SoulShine wasn’t just covering Allman Brothers songs. They were really channeling the band.

photo by Luca DePalo

Then it was time for Lynyrd Skynyrd classics, loud and live. The lights went down again. The Artimus Pyle Band took the stage. You could feel that this was something. There was something about the way they played. The first chords of “Workin’ For MCA” rang out. The spotlight hit the drum throne. Artimus Pyle himself playing with the same fire that made him a legend. The whole band locked into that Skynyrd groove.

Lets be clear. This band isn’t just a tribute. They’re carrying on the legacy of rock with help from two guys who helped build that legacy. Up front was Barry Lee Harwood, who joined APB most recently in 2025 and brings a lot of rock history. He played with the Allen Collins Band and the Rossington Collins Band. Added his dobro and mandolin to Skynyrd’s “Nuthin’ Fancy,” “Gimme Back My Bullets,” and “Street Survivors.”

photo by Luca DePalo

Of course, Artimus Pyle himself behind the drums. A Skynyrd member from 1975 to 1977 then back again from 1987 to 1991. He’s the surviving member of Skynyrd’s classic lineup, and he lived through the bands infamous 1977 plane crash that killed Ronnie Van Zant, Steve Gaines, Cassie Gaines, the assistant road manager, and both pilots. As Artimus said, “If it wasn’t for Ronnie Van Zant there would be no thing as the band.”

Since leaving Skynyrd, Artimus has had a career. Solo records, projects, all paying tribute to southern rock’s finest. The Artimus Pyle Band doesn’t just play the hits. They bring the era’s energy right back to the stage.

photo by Luca DePalo

One standout moment was the band’s dobro player letting those shimmering slides ring out and giving songs like “Tuesdays Gone” an edge that pulled everyone in. The set kept going with classics. “Gimme Three Steps,” “Call Me the Breeze,” and, of course, the anthem. “Sweet Home Alabama.”

Then, right before the end the unmistakable opening of “Free Bird,” everything shifted. The crowd held its breath during that intro waiting for the storm to hit. Then came the epic guitar solo. Furious, relentless powerful. The energy in the room was off the charts. When it finally ended, the audience exploded into a standing ovation knowing they’d just witnessed something they’d never forget.

photo by Luca DePalo

As the band took their bows and the lights came up fans filtered back outside, the snow was still falling. Now everyone carried a little warmth with them. The energy and spirit of southern rock echoing down the quiet wintry streets of Woonsocket.

Looking Ahead

You can find upcoming tour dates for the Artimus Pyle Band on the “Tour” page of the band’s website. APB dates are currently listed for Missouri, Kansas, Pennsylvania, Illinois, New Hampshire, and New Jersey. The “Upcoming Shows” section of the SoulShine website currently lists just a single date – March 7 in Mamaroneck, NY – but that’s where to check as more shows are added. And those of you in or near Woonsocket can check out the “Events” page of the Stadium Theatre’s website to see the theater’s upcoming calendar of events.

Live Review: 1964 The Tribute at the Stadium Theatre

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photo by Luca DePalo

by Luca DePalo, Contributing Blogger

1964 The Tribute

Stadium Theatre, Woonsocket, RI

January 16, 2026

Friday night at the Stadium Theatre in Woonsocket, Rhode Island was a night like no other. The Beatles tribute band “1964 The Tribute” performed a 30-track set of nonstop hits by the early era of one of the world’s most legendary groups.

Walking into the old timey venue, the chill of the January air faded almost instantly. The Stadium Theatre’s vintage architecture, bright marquee, and packed lobby set the tone. This wasn’t just a concert, it felt like stepping through a time portal. Fans of all ages filled the seats, from longtime Beatles diehards to younger listeners experiencing these songs live for the first time, all buzzing with the same anticipation.

photo by Luca DePalo

As the lights dimmed and the band members took their places, the transformation was complete. Late night host Ed Sullivan appeared on the screen, introducing the band just as he had decades ago during February of 1964. The familiar announcement drew cheers and laughter, through old advertisements for companies, setting the stage for what felt less like a tribute show and more like a recreation of a historic television moment.

From there, 1964 The Tribute burst into action, performing the single “I Saw Her Standing There.” Instantly, the sold out audience was captured by the sound, look, and youthful energy of The Beatles at the height of Beatlemania. Dressed in matching suits and armed with period-correct instruments, they embodied the early years of the Fab Four like no other act around.

photo by Luca DePalo

Throughout the first half of the night, the band performed iconic hits such as “I Want to Hold Your Hand,” the harmonica-filled “Please Please Me,” the unique “All My Loving,” and the vibrant “I Should Have Known Better.” And not only did they play the part, but they acted like the part. Each member would fool around like the young boys they once were, and crack jokes back and forth!

The Beatles just have that iconic sound… almost like blues yet rock and also a form of folk at times. And throughout every single track, every instrument sounded like you were listening to the album in the early ’60s. There are many Beatles tribute acts out there, but nobody can do it as well. 1964 The Tribute has been touring the world since 1984 and frontman Mark Benson (who played as John Lennon) can still perform at top!

And with each member having their unique talent, some surprises throughout the night included the George Harrison-fronted “Do You Want To Know a Secret,” the Ringo Starr-fronted “Boys,” and the screeching John Lennon vocals on “Twist and Shout.”

photo by Luca DePalo

Track after track flew by in a flood of hits, each one met with cheers, claps, and spontaneous sing-alongs. The crowd swayed, smiled, and sang along to every familiar lyric, proving that more than sixty years later, this music still connects generations.

After a short intermission, the band returned back onto the stage, performing “Day Tripper,” “Help,” “She Loves You,” and 20 more classic tracks!

Each song was vibrant and energetic; however, the night slowed down as Mac Ruffing (who played Paul McCartney) walked up to the front of the stage, introducing the 1965 hit “In My Life.” Right then and there, the Stadium Theatre lit up in a display of the audience’s phone lights… almost as a remembrance of John Lennon and George Harrison’s legacy. The song was definitely my favorite of the night.

By the end of the evening, the Stadium felt less like a historic venue in Woonsocket and more like a roaring 1960s concert hall, leaving the audience warmed, nostalgic, and reminded why The Beatles’ legacy continues to endure.

What a great night!

photo by Luca DePalo

Looking Ahead

1964 The Tribute has upcoming concerts scheduled in Arizona, California, Florida, Virginia, Pennsylvania, North Dakota, Maryland, Ohio, and Tennessee. See the “Shows” page of the band’s website for dates, locations, and ticket links for those shows and others, as they’re added.