Album Review of Dan Israel: Social Media Anxiety Disorder
Believe it or not, Social Media Anxiety Disorder is the 15th release for this Minneapolis-based singer-songwriter. Heck, there are many major label artists that can’t claim that accomplishment! So, what’s the prodigious Minnesota troubadour been up to? Well, hot on the heels of his 2018 record You’re Free, Dan Israel climbs out of his songwriting comfort zone a little bit in favor of some clever production manipulation and playful arranging. He worked with two different producers in Jon Herchert and Steve Price, resulting in a cross-pollination of inventive ideas.
Israel kicks things off with the horn-driven pop/rock of “Be My Girl.” It’s a strong single, with terrific airplay potential. The uptempo spark of the rhythms are complemented by Israel’s emotive Elvis Costello-like twang and a good time feel.
“125” shifts gears entirely placing the listener in a pseudo-psychedelic state. The dreamy flowing lead vocals and fuzzed out lead guitar are stellar. “Just Can’t Take It” features little quirky production ear candy bolstered by a catchy chorus and lush bridge. “Still I’m Lost” returns to that semi-psychedelic spacey kind of vibe. It’s a nice blend of thoughtful experimentation and melodic pop. It sounds like something Bowie would do.
“Might As Well Be Me” features a country-folk element. It is the closest to pure Americana you’ll probably find here. There is some tasty acoustic guitar soloing, and Israel’s vocals kind of remind me of something by John Sebastian.
“Another Day” is more catchy upbeat pop that this artist is known for. The slide guitar breaks here are very nice as well.
“Just Can’t Take It (Revisited)” is kind of a vocal reprise montage. Through musical snippets from the original track and spoken word, Israel slyly comments on the impinging stresses of modern society and the expectations of those involved in social media. It’s a mind-bender, for sure.
“Tired” prominently features organ and has an overall gloss similar to The Wallflowers and Crowded House. “Alright” follows and ushers in a kind of rockabilly swing. Its upbeat and bouncy groove is infectious. “Here for Today” has a simple and pragmatic message toward life of “trying to take a little and leave a little behind.” The dense guitar work here really rocks and provides a wall of sound.
The concluding two tracks “Out of My Hands” and “Out of My Hands” (Reprise)” sort of combines the spirit of the Rolling Stones album Exile on Main Street with a gospel touch. It’s a fitting way to wrap up the festivities and sends a poignant and pensive message of acceptance and soldiering on.
They say music is a healer and Dan Israel brings to light songs that can address serious topics of personal challenges and societal anxiety and present them in an entertaining and uplifting fashion.
Per the “Shows” tab on Dan’s website, he has a packed schedule of performances ahead. Currently lots of gigs in and around Minneapolis, some shows in northern Minnesota, and a January 31/February 1 house concert in Wilmington, North Carolina. So keep an eye on his website for performances in your area.
[Publisher’s Note: Geoff Wilbur’s Music Blog has reviewed each of Dan’s last three releases. I reviewed Dan’s album Dan. James Morris reviewed You’re Free. And now Eric Harabadian has reviewed Social Media Anxiety Disorder. – GW]