Album Review: James Williamson & Deniz Tek – Two to One

James Williamson & Deniz Tek

photo by Anne Tek; photo courtesy of Glass Onyon PR

by Eric Harabadian, Contributing Blogger

Album Review of James Williamson & Deniz Tek: Two to One (Cleopatra Records)

With the pairing of guitarist James Williamson and guitarist-vocalist Deniz Tek you’ve got some proto-punk/alternative rock royalty right here. Williamson, of course, played on Iggy and the StoogesRaw Power and Kill City records. And Tek carved his legacy in the alternative rock world decades previous in the Australian-based band Radio Birdman. But, interestingly, they both have ties to Detroit and Ann Arbor, Michigan, and that Motor City rock ‘n roll sound jumps out of the speakers loud and clear. As Williamson puts it, “This is a no-frills, good old-fashioned guitar album.”

This 11 track album kicks off energetically, with “Jet Pack Nightmare.” The guitars are full and really mix melodically well. Tek sings in a low register monotone that grabs you from the get-go.

“Progress” follows and further solidifies that blend of Detroit-fueled power pop and Southern California panache. “Take a Look Around” features an earnest Tek vocal laced, with a socially-conscious sentiment. Williamson’s taut and focused solos really support the overall mood. The backup vocalists Petra Haden and Andrea Wasse further perpetuate a cool pop vibe.

James Williamson & Deniz Tek - Two to One album cover

image courtesy of Glass Onyon PR

“Good as Gone” mimics latter day Iggy Pop in a loving way. There is an immediate and urgent groove as Tek unceremoniously sings “We had a few good times, the rest was just a crime.” In addition, Williamson throws in some tasty minor-ish Spanish-type motifs ala Dick Dale.

“Stable” is a strong single that borrows slightly from the feel of The Stooges’ “No Fun.” Tek sings a pretty tough and honest lyric, with “Can’t you see that I’m less stable, trying everything to see what works. You say you got me, but I’m falling. What makes you think it doesn’t hurt.”

“Climate Change” is about as topical and current as they come. Tek bellows “Sun beats down on the city streets. They got nothing to believe in but the heat. It’s dry as dust and the old folks calling for rain. All the kids talking about climate change.” The mid-section features a Beach Boys-like vocal backing that gives the song an ironic surf’s up kind of twist.

“Birthday Present” is a break-neck rocker. The rhythm section of bassist Michael Scanland and drummer Michael Urbano offer a really smooth and brisk tempo. The solo parts recall early Amboy Dukes mixed with classic Beck-era Yardbirds.

“Small Change” is a song about the power of personal evolution. Tek sings “It only takes a little bit of change and a great big heart.” Truer words were never spoken. The song has a somewhat blues and folky-type veneer and Tek plays some appropriate harmonica to top it off.

“Liar” is a driving power pop masterpiece. Tek suffers no fools and takes no prisoners as he belts “I’m standing in the rain but looking for the sun. She’s a liar, can’t survive her.”

“No Dreams” is poetic and somewhat dark, with tasteful and dense solos and rhythms. Tek talks and sings his way through this one. The bonus track is a song about a coquettish femme fatale known as “Melissa Blue.” It’s a smooth mix of acoustic and electric textures. It’s also a nice way to conclude this diverse, yet thoroughly rocking album.

Two to One is a powerful statement, with great songs and brilliant guitar work. Overall, it’s a mix of lyrical honesty and technical prowess that is sure to connect with fans and six-string aficionados alike.