by Eric Harabadian, Contributing Blogger
Album Review of Stormstress: Silver Lining
This is the debut album for Boston’s Stormstress, and it is a return to one of the classic ensembles in rock ‘n roll — the power trio! Identical sisters Tia Mayhem (bass and vocals), Tanya Venom (guitar and vocals), and long-time band mate and ally Maddie May Scott (drums and vocals) comprise this heavy metal brain trust. And the term “brain trust” is not used lightly, as each of their songs are well thought out and strategized for maximum emotional, intellectual and entertainment effect. Prepare to take a trip as this youthful veteran outfit gets inside your head and works its magic.
They open appropriately with a mighty rocker called “You Can’t Hurt Me Now.” The song addresses personal empowerment and standing up for one’s self. The message is a timely and direct hit as Venom puts her antagonist on notice, “never running out of reasons to cry, found out too late who you really were inside, now I’m shutting the door to lock you out… and you can’t hurt me now!” It’s a great mix of staccato guitars, pumping bass, and thunderous drums that grabs you from the get go!
“Paint the Mask” is another strong song about being true to one’s self and not being a slave to hiding behind an inauthentic mask. In other words, quit trying to please others at the risk of sublimating yourself. Venom sings with a heart-wrenching tear in her voice that seems to speak from personal experience. Musically, the hooks and harmonies are pure pop, with screaming guitar that echoes Michael Schenker, Ritchie Blackmore and Neal Schon.
“Internal Divide” begins with a deep bass rumble that will shake the foundations of your psyche and soul. It’s got an infectious funk groove that supports Mayhem’s semi-rap cadence. There is so much to unpack here. With each line of the song the blue-haired bassist is approaching self-discovery and unpeeling all those layers of emotional bondage like an onion. It all comes together with this hook, “What’s in my heart, what’s on my mind, the static and the noise… There’s a voice that whispers in my ear at night, echoing between the walls in my mind, threatening my feelings held inside… creating this internal divide.”
“Fall With You” takes a slight detour and makes way for a beautiful ballad. Again, this is one from the heart, and Venom delivers a song that tackles aspects of love, trust, and the trepidation of taking a leap of faith with someone. The song is wonderfully augmented by a string quartet comprised of Jacquay Pearce (violin), Hannah Schzde (violin), Eden Rayz (cello) and Peter de Reyna (upright bass), with orchestration by the guitarist. It’s a radio-ready power tune for a modern generation, with elements of Scorpions, Lita Ford and Heart.
Stormstress shifts musical gears for the exotic “Gold.” Armenian musician Mher Mnatsakanyan plays a woodwind-like instrument called the duduk to open this piece. The atmosphere in the song is one of mystery and historical perspective. The hook “All that glitters… isn’t gold” seems to speak to the distractions in our present day society with watching the shiny object. The blend of Venom’s extreme metal vocals and the group’s more traditional harmonies are a gripping juxtaposition.
“I Wish I Could” is a slow and soulful number that speaks to the complex dynamics at play with the human condition. The lyrics say it all, “I wish I could give you my heart… but I know you’d wreck it. Wish I could give you my trust… no, not for a second. Wish I could give you my love… but I can’t let you in.” The band pours so much angst and pathos in this song. Anybody with a pulse has got to be moved. Included is a brief bass solo by Mayhem that really opens up the tune.
“Corpses Don’t Cry” is probably one of the heaviest and most personal empowering sentiments on the album. With the spirit of Ronnie James Dio in tow the band takes on evil spirits, with a full court press. They sing, “Come at me now I’ve got nothing to lose… I can’t be broken because I’ve already died!” It is cathartic, with some incredible rhythmic accents and breakdowns. They wrap things up with an “unveiled” reprise to “Fall with You.” This time it is done semi-a capella, with just the backing of strings. You really get to hear all the nuance and beauty in the trio’s voices as well as the message of the song.
One would be remiss not to mention the flawless and intricate production by Liz Borden and Sarah Fitzpatrick. From the richness of the instruments to the attention to bring out all the frequency response in the vocals, it’s a world class product! These songs will get inside your mind and soul, if you let it. Go ahead… take the ride!
Stormstress’ live gigs this year have extended from Boston and New York to Detroit and Chicago. At the moment, per the “Tour” section of the band’s website, the only upcoming shows currently booked are in Provincetown, MA – on May 28th, July 22nd, August 19th, September 23rd, and October 14th – but there’ll surely be more dates added soon, so be sure to check the website regularly and/or follow the band on social media (Facebook, Twitter, Instagram).