Live Review: Jann Klose house concert

Jann Klose

photo by Monica Mansfield

Jann Klose

House concert in Shrewsbury, MA

October 22, 2016

The Backstory

As I noted when I reviewed Jann’s album Mosaic earlier this year, I first met Jann at the Undercurrents music conference in Cleveland, Ohio back in the late nineties. Interestingly, after years of reviewing his music and meeting him a couple times, this was my first opportunity to see him perform live. This concert was part of a series held in Shrewsbury; sometimes these events are held at the historic Sumner House, but this concert was a bona fide house concert.

Jann Klose

photo by Geoff Wilbur

The Concert

First of all, Jann Klose has an amazing voice. And he knows how to use it. Full and rich, emotive at the high and low ends of his broad range. I always have a hard time explaining his “place” on the music spectrum. He is, indeed, a singer-songwriter, and he often wields his acoustic guitar, but I hesitate to use that description because it tends to conjure up folk images. And there’s something much more rock ‘n roll about Jann’s vibe than you’d understand from that description. The most convincing description I’ve come up for Jann is that he’s a rock ‘n roll troubadour. But I’d also suggest you listen to his music and decide for yourself.

A house concert is a terrific venue for a singer like Jann who can fill the room with his voice. And this particular room offered terrific acoustics, as well. Jann opened the evening by sharing a new song with us, “Dear Mel.” It’s as good as his best; it left us already looking forward to what he has in store for his next recording.

Jann Klose

photo by Monica Mansfield

He followed that with “Fair Weather,” from the Stereopticon album he released with Gary Lucas earlier this year, and then a couple songs from Reverie that showcased the breadth and sensitivity of his vocals, “Doing Time” and “Mother Said, Father Said.”

He kept the emotional train rolling with his “Wedding Song,” ein Lied auf Deutsch, und mein Deutsch ist nicht gut, so I can only imagine the words were as beautiful as the melody. From crowd reaction, we’re all looking forward to his English translation. That was followed by “Question of the Heart,” a song in which he emits a tuneful vocal howl near the end that conveys well its pain.

Jann closed his first set with a couple songs from Mosaic, the powerful “Rain is Water” and tuneful, melodic, smile-inducing “Four Leaf Clover.”

Jann Klose

photo by Monica Mansfield

Set number two began with the energetic, catchy “Make It Better,” a song with the perfect message of inclusion for the world we live in today.

Jann’s next song was an inspired cover of Adele’s “Skyfall.” As perhaps the most rocking of Adele’s hits – and my personal favorite of the diva’s songs – it was well-suited to his interpretation.

Next came “Beautiful One” and “Long Goodbye” from Mosaic and “Clouds” from Reverie. During the second set, the audience was fully engaged throughout, easily encouraged to participate, and some of this middle stretch was audience requests of some of Jann’s most beloved originals.

Jann closed the second set with the Jeff Buckley tune “Song to the Siren,” which also appears on Mosaic. Jann’s connection to Buckley’s music, of course, goes a bit deeper, as he was the singing voice of Jeff Buckley in the 2012 film Greetings From Tim Buckley.

Jann Klose

photo by Geoff Wilbur

The quickly agreed-to encore consisted of two songs. Or three, actually, as Jann began with a two-song medley of Prince’s “Starfish and Coffee” and “Kiss.” The “Kiss” portion quickly became an enthusiastic singalong. I can’t say I was expecting a Prince cover from Jann, but he continually surprises me with his range, both vocally and stylistically; I should know better by now. Then the evening ended with Jann’s original “Still,” an emotional closing number that left the audience drained but happy.

Of course, as with any good house concert, the fun extended a bit later into the evening, and Jann later reclaimed his guitar for a few impromptu tunes in the kitchen. A thoroughly enjoyable event featuring an exceptional talent. So, tell me again why you don’t yet own at least one Jann Klose album…

Jann Klose

photo by Monica Mansfield

Looking Ahead

Jann, per his website, will be touring Germany for the first three weeks of November. He returns to the States in December, performing Thursday, December 1st, at The Luna Star Cafe in North Miami, FL; Saturday, December 3rd, at the ACMA Listening Room in Fort Myers, FL; Sunday, December 11th at Cozy Cabin Concerts in Green Brook, NJ; and Saturday, December 17th with Annie Haslam at Sllersville Theater 1894 in Sellersville, PA. Keep an eye on his website for additional dates as they are announced.

Live Review: Lori Diamond and Fred Abatelli at Sholan Farms

Lori Diamond & Fred Abatelli

photo by Geoff Wilbur

Lori Diamond & Fred Abatelli

Sholan Farms, Leominster, MA

October 8, 2016

The Backstory

Two or three years ago, I found Lori & Fred’s music online. If I’m not mistaken, they were playing as part of the summer concert series in my town, and I checked out the various performers’ music when the schedule was released to decide who I might enjoy seeing. Though I wasn’t able to attend the show, I was impressed by their music. Notably, I thought the song “Mystery” was something quite special, so I downloaded it and played it regularly; it remains a song I keep on the rather limited playlist on my phone.

My first attempt to see them perform live was a concert for which I had purchased tickets weeks in advance before it was cancelled due to a snowstorm in the winter of 2014/15. Schedules haven’t matched up again until yesterday, when they played an afternoon set during Sholan Farms’ Harvest Celebration Weekend.

Lori Diamond & Fred Abatelli

photo by Geoff Wilbur

The Concert

It was a beautiful day for a concert. The rain held off until a few minutes into my drive home after the show. Lori and Fred played a mix of covers and originals, all suiting their style, which is relatively unique among widely-performing, popular local artists. I’d call it soft adult contemporary. You might label it easy listening, though I’d beg to differ, as the vocal dynamics and interesting guitar-picking place it in the more broadly-appealing AC category, with the potential for the occasional breakout, crossover pop hit. For those of us whose musical tastes defy category, though, they’re simply a pair of outstanding singers, songwriters, and musicians.

Lori’s sweet, powerful, versatile high voice harmonizes perfectly with Fred’s vocals. And when Fred sings vocal lead, he showcases his crisp. mid-range voice with an occasional vocal growl dropped in for good measure. Musically, Lori’s engaging piano-keyboardwork is augmented ably by Fred’s crisp riffs, often subtle, always adding texture to the songs. Often, Fred spices up slow-tempo songs with intricate, dancing soft guitarwork. Of course, I intentionally went to see this gig because I was impressed with what I had heard online, so I was hardly surprised when Lori and Fred delivered.

Lori Diamond & Fred Abatelli

photo by Geoff Wilbur

The duo mixed covers with originally during their performance. Lori’s vocals on “Crazy Love,” a standout cover, contained a soulful, almost gospelly sound, while there was maybe a hint of blues-gospel in Fred’s guitarwork.

I do, of course, love a good original. On “All Comes Round,” Lori and Fred swap lead vocal responsibility back and forth, as Lori’s sweet power pairs well with Fred’s vocal richness (and a well-placed growl). “Good Harbor”, meanwhile, is a sweet, hopeful, relaxing song about love.

Lori and Fred closed with “True,” a lush piano sound on the keys in this smooth song that recalls ’70s-style adult contemporary-edged pop; it showcases the particular phrasing style from that era’s singer-songwriter hits.

In the end, the concert was well worth the drive. Lori and Fred put on an entertaining, laid-back show. They mingled with the crowd during their break and at the end of their gig. And Sholan Farms was a friendly host for the day, with a food trailer providing lunch and a chance to snag a little cider at the farm store. I look forward to catching Lori Diamond & Fred Abatelli again in the future; and I love an afternoon, outdoor performance, so I’ll keep an eye out for future live music at this particular orchard in coming years, as well.

Sholan Farms

photo by Geoff Wilbur

Looking Ahead

Lori & Fred’s next date, per the tour page of their website, is 3 PM on Saturday, October 29th at Tower Hill Botanic Garden in Boylston, MA. Then they have a gig the evening of November 27th at Parish Center For the Arts in Westford, MA. See the duo’s website for more gigs scheduled in December and beyond, in addition to any new shows they add in the meantime.

Sholan Farms’ Harvest Celebration Weekend continues today and tomorrow. The orchard/farm has entertainment each day. Magic from Magic By George began at 12:30 today and dixieland swing from the Lou & Jan Borelli Duo will commence at 2:00. Steve Charette Magic and Comedy will provide entertainment tomorrow. The farm also has “eclectic acoustic” music from Ragged Heroes scheduled for next Sunday, October 16th. See Sholan Farms’ entertainment calendar for more information.

 

Live Review: Cheryl Arena at The Backyard

Cheryl Arena at The Backyard

photo by Geoff Wilbur

Cheryl Arena

The Backyard, Brighton, MA

September 17, 2016

It’s been four months since my last visit to The Backyard. Always a fun house concert venue with an eclectic crowd and delicious variety at the pre-show potluck. The weather also cooperated by providing a cool, comfortable setting for the evening’s festivities.

Cheryl Arena at The Backyard

photo by Geoff Wilbur

The Concert

I had heard Cheryl Arena’s name numerous times but had not yet seen her perform. This seemed like a great opportunity. She has shared bills and the stage with several of the blues-based acts I follow in the Boston area, so even without hearing any of her music before, I was comfortable I’d be pleased. And, indeed, I was. Winner of the Blues Audience Newsletter reader’s poll for most outstanding harmonica player three times since 2009, she does amazing things with the harmonica, a one-woman whirlwind jam session at times. She also wields a quintessential blues voice, the sort you might hear leading the house band at one of the hottest spots on Bourbon Street.

Cheryl Arena at The Backyard

photo by Geoff Wilbur

Cheryl Arena’s supporting cast was stellar this evening. With Pete Henderson on guitar, Brad Hallen on bass, and Forrest Padgett on drums, the band was Cheryl’s equal step-for-step this evening, and many of the blues numbers turned into extended jam sessions with each instrumentalist showing his wares while Cheryl took her turn  – and often control  – with her harmonica wails.

Cheryl Arena at The Backyard

photo by Geoff Wilbur

Indeed, Cheryl’s voice is smooth and yet has a sort of smokiness to it, though without the smokers’ cough. Much of the time, the music she performed this evening was as New Orleans as the jambalaya that was part of the potluck at the beginning of the night. Other times, the vocals and the rhythm were more of a blues swing. During the event, she notably dropped in a fun original, “Shave It,” for good measure. Pete Henderson took the lead on a few songs as well, lending the occasional hip counterpoint, providing an appealing occasional variance during the evening. Regardless, by the end of the set, the space in front of the stage was packed with dancers enjoying the evening and participating in the fun atmosphere.

Cheryl Arena at The Backyard

Cheryl Arena & band with Willie J. Laws; photo by Geoff Wilbur

We also were graced with a special treat when Cheryl called to the stage the inimitable Willie J. Laws to join her on guitar and vocals for a couple songs, which began with an exceptional rendition of “Ain’t No Sunshine.”

The evening only came to an end out of respect for the neighbors; if it had been up to the crowd of about 100 attendees, the fun would have stretched on much, much longer.

Looking Ahead

The next gigs listed on Cheryl’s website are Tuesday, September 27 through Saturday, October 1 at Jon Gindick’s Harmonica Jam Camp at The Shack Up Inn in Clarksdale, MS.

Cheryl Arena at The Backyard

photo by Geoff Wilbur

The Willie J. Laws Band is performing tonight, September 18th, at Glenn’s Restaurant & Cool Bar in Newburyport, MA. (I love Newburyport. I wish I lived closer to it.) He also performs next weekend, Sunday, September 25th with Bruce Bears at The Beehive in Boston and on Saturday, October 15th at the Sandywood Center for the Arts in Tiverton, RI. Check out Willie’s website to keep up-to-date on his concert schedule.

Next up at The Backyard is Amy Fairchild on Friday, October 7th. She’s followed by Julie Rhodes & Sugar Blood Jinx on Saturday, October 15th and Jan Marie & Aaron Shadwell on Saturday, November 19th.

Live Review: Jay Taylor at Jasper Hill Cafe & Bistro

Jay Taylor at Jasper Hill Cafe & Bistro

photo by Geoff Wilbur

Jay Taylor

Jasper Hill Cafe & Bistro, Holliston, MA

September 7, 2016

The Backstory

Earlier this year, when perusing live music schedules in the area, I stumbled across a Jay Taylor listing at the Jasper Hill Cafe & Bistro. I couldn’t get out to that gig, but I was impressed enough with his music that I added one of his tunes to a personal SoundCloud playlist – yes, I’ve been remiss in posting a new public playlist, but when I do, Jay’s “Hold On” will be on it. In any case, when he was back in the area this time, I made sure to get out to hear him. Coincidentally, he was at the same venue through whose concert listings I initially discovered his music.

The Concert

There ain’t no two ways about it. This dude has a special voice. It’s mid-range, but it’s rich and smooth, with the ability to go deeper if necessary and to add emotion without adding too much gravel to his voice. That’s – here’s that word again – special. Not that this was a surprise, of course. I’ve heard his recordings. It took a unique talent to get me to drive so far for live music on a Wednesday night.

Jay Taylor at Jasper Hill Cafe & Bistro

photo by Geoff Wilbur

Jay is currently touring with a full band. A very talented band, at that. Guitarist Steve Hensley periodically stole the show with his guitar histrionics, at home across genres. And Alex Pierson (bass) and Russ Sternglass (drums) comprised a tight rhythm section that could keep up with Jay – or toy with him a little when they wanted to. Jay added acoustic guitar to the mix while, of course, manning the lead vocals (except on a couple songs, on which the guys did a fine job, but they ain’t no Jay Taylor).

Jay opened the night with “Wagon Wheel,” showcasing his crisp, powerful vocals and sporting his harmonica. The Eagles’ “Peaceful Easy Feeling” also made an early appearance. Songs moved from mellow to rollicking throughout the night, and genre lines were crossed and blurred.

I noticed three songs from Jay’s EP Hold On during the evening. The title track (and still my favorite) was the earliest entry, following the Eagles and, dare I say, kicking the Eagles’ butts, in part due to its increased tempo, of course. All the sharpness, power, kick, and hook of the recorded version made their way over to the live rendition and, if anything, were amplified. A little later, Jay growled his way through “How I Wanted To,” accompanied by a tale that exhibited both his stage presence and his comfort in front of an audience.

Jay Taylor at Jasper Hill Cafe & Bistro

photo by Geoff Wilbur

A bit later in the set, the other song Jay performed from Hold On, “The Green Dress Song,” was delivered with a hint of twang and a pretty strong, hooky rhythm that was stepped up a bit from the recording. It was followed a few songs later by Jay’s fourth and final (that I noticed, at least) original of the night, a solo acoustic performance of “Back Road”; this tune starts out its verses in a vocal tone that initially seems ominous before becoming more apparently sentimental as each verse unfolds. I’m not sure I’m describing it properly, but it’s another sign of Jay’s deft vocal skills and worth noticing if you listen closely enough.

The rest of the set, which stretched almost three hours, ranged from Alabama to Bruce Springsteen, from Randy Travis to Elvis, and from Merle Haggard to Eagle Eye Cherry. As the hours passed, the tone of the evening grew more and more country, particularly old-fashionedly so.

The Elvis song, “Can’t Help Falling in Love” was loungy (in a good, Vegasy Elvis way), boppin’, and smooth. I also quite enjoyed Jay’s vocally oh-so-smooth version of John Anderson’s “Seminole Wind.” And he shook the room with a rousing rendition of Garth Brooks’ “Friends in Low Places.”

As impressed as I was with Jay Taylor’s recorded music, I left the live performance that much more convinced he is one tiny break away from being a big-stage concert favorite; you know, the one “tiny” thing a talented, hard-working musician can’t control. (I’m almost never this impressed by a male country singer; this dude’s really good.) Of course, now that you know, there’s no reason to wait to hear Jay on the radio; check out his music for yourself… now.

Jay Taylor at Jasper Hill Cafe & Bistro

photo by Geoff Wilbur

Looking Ahead

Jay has several upcoming gigs listed on his website. You can catch him tonight, Friday, September 9th at Loretta’s Last Call in Cambridge, MA. Tomorrow, Saturday, September 10th he’ll be taking the stage at 3:15 at the 19th Annual Wachusett Mountain MusicFest, on the main stage right before local favorite and former The Voice top-five finisher Kristen Merlin. The other September gigs are Tuesday, September 20th at the Opry Backstage Grill (Nashville, TN); Wednesday and Thursday, September 21st and 22nd at Tin Roof (Louisville, KY); again Wednesday, September 28th at Tin Roof (Louisville, KY); and Friday, September 30th back at the Opry Backstage Grill (Nashville, TN). The remaining gigs listed are all at Tin Roof bars – Fridays, October 21st and December 2nd in Charlotte, NC and Saturdays, October 22nd and December 3rd in Columbia, SC. Obviously, there are a bunch of open dates in there, so keep an eye on Jay’s website to see if those dates are filled in at clubs near you.

Live Review: TOS at Solomon Pond Mall

TOS at Solomon Pond Mall

photo by Geoff Wilbur

TOS

Solomon Pond Mall, Marlborough, MA

August 26, 2016

The Backstory

If you read my review of TOS’s CD release gig in July, you’ll understand why I couldn’t pass up an opportunity to see these guys so close to my home, at the mall I drive past 2-3 days a week on my way to my favorite breakfast joint for an omelet and my personal playlist. Yesterday morning, in fact, my phone shuffled up TOS as part of my playlist, which I shared on Twitter, as I often do. Yesterday evening, I stopped at the mall to see one of my now-favorite local bands.

TOS at Solomon Pond Mall

photo by Geoff Wilbur

The Concert

I’ve never seen a concert in a mall before. This is a band with the talent to make this concert an excellent first.

Because I’ve provided in-depth coverage of TOS before and (spoiler alert) will soon complete my review of the band’s album Killer, I’ll focus mostly on the songs performed and the flow of the concert; and though I won’t mention every song, I’m able to mention each song by name and offer a much more detailed review because I had access to a set list while scribbling my notes. Always a helpful bonus.

The gang opened with “Reckless,” filling the corridors with boundless energy. They followed it with “Not My Love,” combining a funky beat with a unique, varied tempo; the song closed with a nice guitar solo and flowed well into “Soul Keeper.”

TOS at Solomon Pond Mall

photo by Geoff Wilbur

“Primadonna” is a live favorite of mine; it’s a good boppin’, catchy pop rocker but with a bit of vocalist Sophia Ward’s haunting howl. TOS then slowed things down a bit on “Mouthful,” a personal favorite from the band’s recent release, Killer, before bringing the energy back with “(Dyin’) Without You,” another boppin’ alt-rock song with a good tempo and another well-suited guitar solo from lead guitarist Jackson Parker.

On haunting album standout “Ghost,” bass player Jae Mannion stepped forward to provide prominent support vocals, adding texture to the song’s sound. Next on “Cry Baby,” another of my personal favorites – a song my wife and I were singing as we arrived home after the show, in fact – I really enjoyed Mitch Rolla’s punched-up ’50 soda shop-reminiscent drumming that provided the song with a fresh feel.

Some other songs stood out, as well. “Side Effects,” for example, kicked off with almost a ’70s jet-setting start, a little psychedelic.

“Death of Me” is as much a treat live as it is on the recording, in part because it’s a song that very obviously and prominently features contributions from all five band members. Sophia’s trademark haunting vocals are supported by a great strumming opening, an important electric guitar line, drumming that defines the stops and starts that propel the song, and a bass part that contributes the key hook.

TOS at Solomon Pond Mall

photo by Geoff Wilbur

“Crush” is a subtly interesting song; it’s solid and steady but made unique by a bit of a funhouse mirror edge to the vocals, electric guitar, and bass lines.

“A Better You” is a mellower acoustic guitar-strummer with sweet vocals and a hint of ’70s lounge-style jazz in both the vocals style and the wandering electric guitar line. “Need This Love” next amped things up with electric power; it has ’70s rock anthem-level power when it peaks. It was followed by “Waterfall,” the sensitive, flowing, raise-your-lighter song in the band’s repertoire.

“Sleep” is interesting, powered by its Wonders-esque (as in the That Thing You Do! Wonders) drumming. It also features the clever lyric “Don’t need love/I just need sleep.”

Finally, toward the end of the set, TOS presented its mellowest number “The One,” a primarily singer and acoustic guitar-driven song with a sensitive sound and sweet vocals showcasing singer Sophia Ward and acoustic guitarist Jonathan Sommer. The 21-song set closed with “Never Wanna See You Again,” utilizing a surf rock undercurrent to add texture to this otherwise growling rocker.

For an encore, the band performed “Killer,” the powerful rock song motored by exceptional acoustic guitar, powerful vocal wails, and an almost wall-of-sound feel. An ideal way to end a concert… and this most unusual evening at the mall.

TOS at Solomon Pond Mall

photo by Geoff Wilbur

Looking Ahead

TOS has three upcoming shows listed on its website: Friday, September 2nd at Sally O’Brien’s in Somerville, MA; Saturday, September 10th at the Remember September Music Festival in Brockton, MA; and Friday, October 7th at the Out of the Blue Too Art Gallery in Cambridge, MA. Keep an eye on the band’s website for additional upcoming dates. Also watch this blog in a couple weeks for a review of TOS’s recently released CD, Killer.

Live Review: Ashley Jordan at Loft 266

Ashley Jordan

photo by Geoff Wilbur

Ashley Jordan

Loft 266, Worcester, MA

August 24, 2016

As I’ve mentioned before, I often strike up conversations with people about local music. And during several of those conversations, with both fans and people within the music scene here in Massachusetts, I have been asked “Have (I) seen Ashley Jordan?” So, with a nod to the “where there’s smoke there must be fire” school of music journalism, I finally made a point to catch Ashley last night during her Wednesdays-in-August residency at Loft 266. And though I was only able to stay for her first set, I can confirm that there is, indeed, fire.

At just 23, Ashley has been performing for 10 years and is a recording studio veteran, as well, with four albums in the past six years. A quick glance at her bio shows a long list of awards dating back six years; she particularly seems to have swept most of the local country music award categories the last four years. If one of the next batch of young country stars comes from Massachusetts, it’s a good bet Ashley’s your gal.

Ashley Jordan

photo by Geoff Wilbur

Performing an acoustic set of mostly originals last night, Ashley showcased her broad range. When she sings quietly, I hear a bit of Clare Bowen in her voice – that’s “Scarlett” to fans of the TV show Nashville. Some of her mid-tempo, high-but-spunky/powerful bits recall Dolly Parton; when you hear it, you’ll know what I mean. And I’m not sure which blend of young pop-rockin’ country stars she reminds me of when she sings with strength, but her mellow-to-power vocal runs suggest she could be one of the special ones.

A couple of the originals that made an impact – there were more than two, but these were the only ones whose titles I jotted down – were “Angels,” which shows shows vocal range, and “He’s Crazy,” which features a range of vocal dynamics. (Both songs are featured on Ashley’s new album, He’s Crazy.)

A notable cover was Ashley’s rendition of “Black Horse and a Cherry Tree,” as it shows off a richer, soulful low end and some energetic howls that hint at the full extent of her vocal talents.

The one thing I was left wanting at the end of set was a chance to hear Ashley perform with a full band. An acoustic set is fine, but I can just imagine the songs with their full arrangements…

Looking Ahead

Tonight, Thursday, August 25th you can catch Ashley at the Hard Rock Cafe at Foxwoods (Mashantucket, CT). I’m sure that’ll be a heck of a show. And next Wednesday, August 31st, she finishes her August residency at Loft 266 in Worcester, MA. She also currently has two September gigs scheduled, both at Perfect Game in Worcester, MA – Friday, September 2nd and Friday, September 16th. You can keep abreast of Ashley’s live performance schedule via the “Tour” page on her website.

 

Live Review: Danielle Miraglia & the Glory Junkies with Tom Bianchi at Front Street Concerts

Danielle Miraglia & the Glory Junkies with Tom Bianchi

Front Street Concerts, Hopkinton, MA

July 30, 2016

Front Street Concerts

Front Street Concerts; photo by Geoff Wilbur

One of my favorite house concert venues, Front Street Concerts is a popular place to catch great music in a backyard setting out here in the outer suburbs of Boston. The timing for this evening’s concert was pretty good, a cooler night than most we’ve experience the last couple weeks, and quite comfortable by the time the concert was in full swing. Tonight’s gig featured Metro Boston’s not-so-hidden gem Danielle Miraglia and her band the Glory Junkies with her husband, Boston music scene veteran extraordinaire Tom Bianchi, serving as her opening act.

Danielle Miraglia & Tom Bianchi

Danielle Miraglia & Tom Bianchi; photo by Geoff Wilbur

Opening Act: Tom Bianchi

This was my first time catching one of Tom’s sets, and it was the fun experience I was told to expect.

Tom Bianchi

Tom Bianchi; photo by Geoff Wilbur

Tom was tuneful and delivered nearly as broad a mix of acoustic folk-rock as possible within a short set that mixed legitimate acoutic guitar (and electric bass) chops and fun between-song banter into a folky froth. Indeed, the set was mostly acoustic but occasionally featured his electric bass.

As usual, I didn’t ask about song titles, so I may get them wrong, but here goes:

Tom opened with a self-described new song, “My Old Friend,” which featured acoustic guitar strumming, Tom’s engaging, bit-of-a-growl vocal style, and his big, welcoming personality.

The several-song set closed with an interestingly matched couplet, as Tom himself pointed out, featuring first an original anti-cover-song song, then his cover of the Beatles’ “Something.”

It’s obvious from even this short set why Tom is such a popular local performer. His performance comes across a bit like organized chaos… a guaranteed fun night out!

Danielle Miraglia & the Glory Junkies

Danielle Miraglia & the Glory Junkies; photo by Geoff Wilbur

Headliner: Danielle Miraglia & the Glory Junkies

Danielle Miraglia was the headliner tonight with her band, the Glory Junkies – Laurence Scudder (viola), Jim Larkin (bass), and Chris Anzalone (drums). Favorites around the Boston area and up and down the east coast, Danielle and her band packed the house – OK, the barn and the yard – at Front Street Concerts.

Danielle Miraglia & the Glory Junkies

Danielle Miraglia & the Glory Junkies; photo by Geoff Wilbur

I reviewed Danielle’s February gig at Atwood’s Tavern, and I’m not sure I’ll ever write a better description of her blue-chip band’s rockin’ blues style than I did in that review; suffice it to say, Danielle Miraglia and the Glory Junkies again delivered a performance of folk-influenced, rock-inspired, subgenre-crossing blues, all with a sly, sarcastic, fun, and sometimes heartfelt edge. The band’s leader and her partners-in-crime seem to always be at the top of their games; this gig was no exception.

The band kicked things off by getting the crowd fully engaged with “See the Light” from Danielle’s Box of Troubles album, followed by the rollocking “Fair Warning” from her latest release, Glory Junkies.

Danielle Miraglia

Danielle Miraglia; photo by Geoff Wilbur

Popular culture-inspired “Famous for Nothing” followed, as did Danielle’s amazing ability to channel Janis Joplin in an inspired Joplin cover. Here, as elsewhere, Scudder’s inspired viola work stood out.

A few songs later, Danielle ditched the band for three songs and went acoustic, reaching back three albums for “Snow Globe” and following it with a new song (“Silence Was Your Weapon”?), both quite sensitive songs that spoke to the audience. The highlight of the acoustic trifecta for me, though, was Danielle’s new “empowerment” song, a tune I’d never heard before, “Aim Low.” Instant classic. Like a musical demotivational poster.

The return of the band featured Danielle growling along with some well-placed viola on “Don’t Pray For Me,” followed by “Stagger Lee,” an energetic number that always brings to my mind an image of a railroad train chugging full-speed down the tracks.

The set closed with Tom Bianchi joining the band for its final three songs, closing with a rendition of Tom Waits’ “3:19” that, a Danielle Miraglia concert staple that she truly makes her own.

The evening ended with one of my favorite Danielle Miraglia tunes, a rafter-shaking performance of “Choir.” And, of course, the evening ended too soon.

Danielle Miraglia & the Glory Junkies

Danielle Miraglia & the Glory Junkies; photo by Geoff Wilbur

Looking Ahead

The “shows” page on Danielle’s website lists her next gig as Friday, August 5th at Atwood’s Tavern opening for the Tim Gearan Band. Other upcoming scheduled shows include the Kingsville Folk Festival in Kingsville, Ontario on Saturday, August 13th; Saturday, September 3rd at One Longfellow Square in Portland, Maine, opening for The Mystix; Friday, September 16th at the Burlap and Bean in Newtown Square, PA with Beacoup Blue; a Saturday, September 17th house concert in Reston, VA; Saturday, September 18th at World Cafe Live at the Queen in Wilmington, DE with Kyle Swartzwelder; and Saturday, October 1 at Old Sloop Coffeehouse in Rockport, MA with Jon Shain.

Tom’s performances page lists his weekly local Somerville/Cambridge residencies: Thursday nights with the Baker Thomas Band at Toad; Sunday nights as host, emcee, and performer at the Burren Backroom Acoustic Music Series; and Monday nights as host and emcee of the Lizard Lounge Open Mic Challenge.

Front Street Concerts has one upcoming concert currently scheduled: Florent Dufour on Saturday, September, 10th.

Live Review: TOS at The Pleasant Cafe

TOS at The Pleasant Cafe

photo by Geoff Wilbur

TOS

The Pleasant Cafe, Maynard, MA

July 9, 2016

The Backstory

I stumbled across an announcement for this show a few days ago while scanning a list of local events. So I checked out TOS’s music and was extremely impressed by the songs posted on the band’s YouTube channel. After that, I looked at the band’s website, and I was shocked to learn the band members were all aged 16-20. So much talent for such a young band. I was glad I was able to fit the band’s Saturday show into my schedule.

TOS at The Pleasant Cafe

photo by Geoff Wilbur

The Concert

TOS delivers alt-rock with a modern edge and an old-school haunting vocal wail. Vocally, I hear a bit of Lush and perhaps a hint of Cocteau Twins, but TOS’s music is much more broadly accessible, more rocking. TOS’s repertoire of songs is mostly mid-tempo but with some variance, the music is engaging, and I’d pit this band against the best bar bands in any town. It’s also music that translates well to the studio, which is a bonus.

This particular gig was TOS’s album release show, launching its disc Killer. For the first set, in fact, the band performed its new album beginning to end. The second set featured some of the band’s new songs and some old ones.

Before I get any farther, I should point out something that’s apparent from the beginning. There can be no mistake. The original, unique flavor that is TOS emanates from the voice, phrasing, and songwriting of Sophia Ward. The rest of the band is tight and talented, and they have exceptional rapport on stage and, I can only assume, in the studio. Such a strong band by itself can be a bar scene favorite; add strong songwriting and an identifiable, memorable vocalist, and you have lightning in a bottle.

TOS at The Pleasant Cafe

photo by Geoff Wilbur

Each band member contributes memorable segments to the songs – each, in fact, carries some of the songs. Lead guitarist Jackson Parker contributes well-placed, song-moving solos. Rhythm guitarist Jonathan Sommer provides memorably catchy hooks, particularly during a few of the songs on which he wields the acoustic axe. Bass player Jae Mannion keeps a steady rhythm, more noticeable on this evening during the second set, when he more often delivered the catchy hooks that held the songs together. And skinsman Mitch Rolla occasionally goes beyond just keeping a steady beat, providing subtle drum fills that add needed texture as a backdrop behind the melodies, noticeable for those who paid attention on several of the tunes performed this evening.

The first set opened with “Death of Me,” a song that combines Sophia’s haunting vocals with driving rhythm and a steady beat. One of the catchier songs on the album, it’s a solid welcome to the album and served to grab the audience’s attention from the very start of the evening. It was followed by “Soul Keeper,” a song that augments great vocal tone with an engaging song structure that builds to power before stopping cold in places. “Cry Baby,” meanwhile, was a bit poppier, driven by an energetic acoustic guitar line and what I can best describe as oh-so-cool, “That Thing You Do”-esque drumming.

I’d love to go song-by-song through the set, but I’ll just mention a couple more of the standouts. “Reckless” is a raucous rocker in which the bass line stands out as a sneaky-monster hook while featuring a nice little guitar solo and showcasing the singer’s vocal power and a few nice vocal flourishes. And set album-closer “Killer” is a powerful song whose tone, vocals, drumming, and even the speed-acoustic guitar solo recall a lava lamp-and-black light, late ’60s/early ’70s classic rock vibe.

TOS at The Pleasant Cafe

photo by Geoff Wilbur

The band opened the second set with a great cover of the Beatles “In My Life,” then slipped into a straight up hoarse-vocalled alt-rock number, “Best You’ve Ever Had.”

Other notable tunes in the second set included “Primadonna,” a driving pop song with a somewhat different sound featuring a little bluesy and funky rhythm; “Alphabet Hate,” a sad but thoughtful song that’s delivered a bit angry; “Side Effects,” a slow, rhythmic, steady balladic song with a hint of a ’70s rock singer-songwriter vibe; and “Without You,” a poppy alt-rocker with a hooky bass rhythm and slick electric guitar solo that doubles as an audience participation clap-along song. The set closed with “Money,” a tune with a prominent bass line and blistering-though-subtle guitar solo that showcases the singer’s otherwordly trademark alt-rock vocal wail.

With the crowd calling for an encore, TOS delivered the goods with “You Don’t Know.” Featuring a strong bass line and catchy rhythm guitar that seems to both mimic and mock the vocals, this is a song that brings the energy level in the room to a fever pitch. Talk about ending the show on a high note!

Brimming with talent, don’t dismiss this band because of its youth; TOS could rock any bar in Boston… or New York… or London with those cities’ best. These musicians are ready for a big stage. I can’t wait to hear what they do next.

Looking Ahead

TOS has three shows listed on its website: July 24th at The Raven in Worcester, MA; August 5th at Canobie Lake Park in Salem, NH; and August 8th at the Natick Commons in Natick, MA. Keep an eye on the band’s website for additional upcoming dates.

Also expect to see a review of the band’s album, Killer, on this website in the coming months. I have a few albums in the queue ahead of it, but I have a copy of the disc and look forward to penning its review.

Five Nights in London #5: Bernie Tormé

Bernie Torme with Rusty G’s

The Borderline, London
October 31, 2015

Bernie Tormé

Bernie Tormé; photo by Geoff Wilbur

Five Nights in London #5

I was in London for five nights and planned to review one show each night. I accomplished that goal, and this is a review of Night #5. I wasn’t sure where to go on Saturday night as recently as yesterday, but after a bit of research, I stumbled across Bernie Tormé’s gig at The Borderline and thought a night back in my original genre would make a good end to the trip. As a few of you may know, hard rock/heavy metal has always been my “home” as a genre, and one of my earliest writing gigs was for Tough Tracks magazine “back in the day.” So reviewing this show was sort of like going back to my roots.

In fact, The Borderline reminded me a lot of Axis, which was one of the clubs where I spent a lot of time in Boston way back when I started as a rock journalist. So yes, you’ll find me “going there” from time to time. It’s still my music, even as my tastes have broadened with so many years of reviewing every type of music sent my way.

Rusty G's

Rusty G’s; photo by Geoff Wilbur

Support Act: Rusty G’s

It seemed rather odd seeing just two band members on stage, and the powerful wall of music the power duo puts forth is incredible. The band opened with a raw hard rocker with a surprisingly tuneful vocal. The next tune was rawer with a little punk influence and great, manic drumming. Rusty G’s then proceeded to open its next number Blue Oyster Cult-ishly, more raw but with nice tempo changes.

Overall, Rusty G’s are a solid rock band. I still can’t get over the fact that such a full, catchy hard rock sound comes from a 2-piece. Musically, the band is really good at finding and maintaining a rock ‘n roll rhythm in its songs — or for stretches of songs, as Rusty G’s will change the rhythm sometimes within a song. They’re an impressive live band, and not just because of the drummer’s flying hair.

Bernie Tormé

Bernie Tormé; photo by Geoff Wilbur

Headliner: Bernie Tormé

Wow! It has been a long time since I’ve seen a guitar god in action, and Bernie Tormé has the pedigree to accompany his flying fingers. The dude’s an axemaster extraordinaire! I’ll let you look it up for yourself if you don’t already know him, and though this style of music hits my sweet spot of music knowledge, I’ll admit I wasn’t familiar with him until I checked out his résumé before deciding to attend this show.

Oh, but the packed club knew exactly who he was. They knew all of his songs back through his musical history. Many even helped crowdfund his new album, Blackheart. And I was about to experience what they already knew. Bernie Tormé can shred with the best of them.

Indeed, right from the start of first song “Wild West,” Bernie and his power trio were obviously in the big leagues. That was followed by a straight-up rockin’ tune with a bluesy-ish vibe and a catchy rhythm… and oh my god, the guitar licks!

Bernie Tormé

Bernie Tormé; photo by Geoff Wilbur

Just about every song had some amazing guitar and was driven by trademark heavy metal rhythm section. The vocals and song styles were well-structured yet raw-feeling, as if your favorite band in concert, without any of the bells and whistles that cleaned up the sound in the studio. This was a rawk and roll concert, baby!

There were a couple of songs whose opening rhythms were reminiscent of a cross between the rhythms of Scorpions’ “The Zoo” and George Thorogood’s “Bad to the Bone.” Bernie pulled out a harmonica on another hard-rocking tune. Many of the songs marched along full steam ahead, but Bernie can throw in some hooks, too, to get fans singing or at least moving to the song on the first listen. And there were, in fact, a couple of songs with audience-participation vocal parts.

Just past the midpoint of the show, the band took a seat on the front of the stage, Bernie grabbed an acoustic-electric guitar, and the group treated its crowd to a one-song change-of-pace.

In all, if my count is correct (and it may not be), after 14 songs (15 if you include the drum solo), the band left the stage, only to be recalled enthusiastically for a two-song encore. The first, which Bernie began with the phrase “you should know this one,” was rocker “No Easy Way.” He and his band followed that with mellower “The Party’s Over.”

And with that, a real rock show ended, and Bernie and his band left the stage to mingle with their throng of supporters. I can think of no more felicitous end to my five nights in London that a return to my roots by covering a guitar god-driven hard rock/metal club show.

What’s Next?

Certainly, at least for a while, the flurry of articles will subside. I have some ideas for review but will also continue to set up the behind-the-scenes items, including getting some other writers up and running for the blog so it isn’t just me doing all the writing anymore. Also, I’ll be back at work again, so I’ll lack the free time I’ve had that has allowed me to write 14 articles in the last two weeks.

But please enjoy these first 14 articles, look back through them if you haven’t already and discover some great music spanning several genres. And do subscribe so you’ll get them delivered directly to your inbox. (There’s probably an option to do that in the bottom right of your screen, at least if you’re viewing this on your PC.) Now that we’re launched, I do promise not to clog your inbox. My rule of thumb will be no more than one a day, a rule I’ll possibly never break now that we’re up and running and actually have subscribers. Indeed, I’m glad to be back writing about music again, and I hope you will continue to enjoy reading what my team and I share with you on Geoff Wilbur’s Music Blog.

Five Nights in London #4: Tom Lukas

Tom Lukas

Upstairs at The Distillers, Hammersmith (London)
October 30, 2015

Tom Lukas

photo by Geoff Wilbur

Five Nights in London #4

I’m in London for five nights and plan to review one show each night. For Friday night, Night #4, I had a few options, but the one that sounded the most interesting was going to take two trains and a bus to get to and from. Typically, I’d like to see more than one band on the bill, and I had really planned to focus on original music this trip, but I made an exception. The Distillers is a room multiple people I respect have played. Therefore, I opted to see a show there just so I will have seen the room in person next time I see or hear it mentioned. Plus, I checked out Tom Lukas’ music online before the gig and thought he’d be worth seeing in person.

Live Review: Tom Lukas

Tom Lukas

photo by Geoff Wilbur

Tom has a gravelly, expressive voice (though he surprised me by losing the gravel on one tune in particular), a range that allows him to perform well across a broad spectrum of styles, a variety of guitar tools that help keep the guy-with-a-guitar thing fresh longer. On this evening at The Distillers, Tom put those to use across three sets of cover songs.

He selected a fun track to open the night with, The Lumineers’ “Ho Hey,” absolutely nailing the song with and emotional, rough edge to his voice. Hey followed that with one that engaged the night’s early crowd a bit more, Ray Lamontagne’s “Trouble.” In fact, the theme throughout the night was Tom’s gravelly vocals, good vocal range, and ability to vary his style of music and tempo well.

Speaking of varying styles, and because I’ve already described his style, I’ll just mention a few of the more notable songs in Tom’s repertoire. On his rendition of Otis Redding’s “Sitting on the Dock of the Bay,” Tom rounded some of the original’s rough edges but added a few vocal flairs of his own. Vance Joy’s “Riptide,” meanwhile, is a song that really suits Tom’s voice, and he delivered it with great energy and a bit of a modern style.

Tom showed off his tempo change skills with Jack Johnson’s “Better Together.” His version of “Every Day I Have the Blues,” meanwhile, was relatively clean, crisp version but still with a bit of his cool rasp. Tom got a bit funky later on with a cover of Blackstreet’s “I Like the Way You Work.”

Tom’s cover of “Ain’t No Sunshine” was a subtle departure, in that he showed off deeper vocals without his trademark gravel — a great choice for this song, one that impressed. His interesting arrangement of Pharrell’s “Happy” came across more rocking and rootsy than the original. And it took me a few seconds of Will Smith’s “Gettin’ Jiggy Wit it” before I decided his cool rendition was worth gettin’ jiggy wit.

Indeed, it was a smorgasbord of great songs all night, also including Stevie Wonder’s “Superstition,” The Killers’ “Mr. Brightside,” the oft-covered “Brown Eyed Girl,” Daft Punk’s “Get Lucky,” and a rendition of “Summer of ’69” that could almost have been Bryan Adams himself.

So in spite of the fact I caught a cover night performance, I was treated to a talented singer-songwriter (sans the songwriter portion of his repertoire) performing a broad range of songs, varying his basic style just a bit to fit each of them.

What’s Next?

I have an idea for Night #5, but I’m not sure if I’ll change my mind, and then I’m not sure if I’ll be able to get it posted the next morning because I need to check out of my room and fly back. So if Night #5 gets posted quickly, great. If it’s delayed, well, now you’ll know why.