Album Review: Mychael David – Heroes & Honkytonks

Mychael David - Heroes & Honkytonks album cover

image courtesy of Beard Artist Management

The Backstory

I first heard Mychael David about four years ago, when I checked him out in advance of a local concert and realized there was a veteran, elite country music singer in the area, if only I had previously taken the time to investigate.

Mychael has that classic country voice, but with the energy level to bring “real” country to the masses in a powerful arena setting, with a hint of classic rock power that only adds to his appeal. His patriotism, support for the troops, and appreciation of good police officers is at the forefront of his performances, and it’s genuine and sincere. There’s no need to try to package Mychael David. He is the package. I love that he plays frequently here near his New England home, and we enjoy the heck out of him, but I’d love for the big-arena, national country music world to discover what we already know: This guy’s one-of-a-kind. The real deal. 100% USDA prime country music.

But you already know the purpose of the Blog is to introduce you to music you really need to hear. So with great pleasure I’ll begin my review Mychael David’s most recent album, Heroes & Honkytonks.

Album Review of Mychael David: Heroes & Honkytonks

Mychael is known for consistently stocking his band with top country/classic rock musicians, and Heroes & Honkytonks doesn’t disappoint, with guitar runs and a rhythm section that provides supportive and, at times, explosive music behind Mychael’s world-class deep, strong country voice.

Mychael David

photo by Geoff Wilbur

Mychael kicks things off with a number that hints at some classic country roots, the uptempo, room-rockin’ “Goodbye is Still Goodbye,” with a subtly hooky riff you’ll be humming in your head for hours afterwards, a hook I swear reminds me of a guitar lick from an ’80s rock hit, but I can’t quite place the song. He follows it by going all-in old-school and keeping the tempo up with his rendition of “Folsom Prison Blues.” Mychael has a rare voice that can do icons like Johnny Cash justice, yet he maintains a tone of his own that makes every song he performs a Mychael David song, even if it is a relatively faithful version of someone else’s.

Next up, “Little By Little” is an engaging, energetic song about building a life together, about everyday life – one of those identifiable, everyday life, everyman songs.

It’s followed by a powerful song that’ll leave you choked up, guaranteed. Recalling the good ol’ days, when the “good guys” used to win, referencing several of our favorite TV show sheriffs as a proxy for the changes in modern life, as well, in “Put Your Badge Back On.” Mychael’s spoken/sung delivery on this song is well-suited to the emotion. And oh, man, there’s some sweet Southern-rock-meets-country guitar noodlin’ going on in the background, too.

Mychael David

photo by Geoff Wilbur

How do you follow a song that emotional? With humor. “The Dog Don’t Know Sit” is one of those well-crafted fun ditties you might have expected on a Ray Stevens record, though I’d posit this is a silly song with plenty of heart.

The album’s lyrical content turns toward varying degrees of sorrow for the next three songs. “Stranger in My House” kicks things off with powerfully-voiced relationship-ending anguish supported by bluesy-country riffs. “Whiskey Ain’t the Only Thing (Running Out On Me)” adds some twangy slides and a lower tempo to support a more sadly acquiescing vocal tone with just a hint of an emotional quaver, so well-suited to the track. And “This House Just Ain’t a Home” utilizes piano as the primary support for Mychael’s vocals in a soft-yet-strong, powerful lament.

If you’ve been paying attention to either the words or the tone of the preceding tracks, you’re in dire need of a pick-me-up at this point, and Mychael delivers. The next song is a dance hall dancefloor-filler that’ll lift your spirits, “Who Wants to Honky Tonk.”

Mychael David

photo by Geoff Wilbur

The disc closes with Mychael’s tribute to the military, the soaring, anthemic “Some Gave All.” I’ve seen this in concert, with Mychael walking through the crowd, shaking hands with veterans in the audience. It’s a powerful moment at a concert, and a strong finish for this record.

A big voice with a powerfully updated spin on classic country music. Again, why isn’t this guy headlining stadiums? So if you’re not familiar with Mychael, check out Heroes & Honkytonks; it’s an album that belongs in any serious country music fan’s collection.

Looking Ahead

As can be expected, a lot of Mychael’s summer dates have been cancelled, but some outdoor summer concert series performances have gone on as planned, just a little more socially-distanced than usual. There’s currently one upcoming show on Mychael’s schedule, per the “Tour” page on his site: a Sunday, August 16th date as part of the West Boylston Summer Concert Series at the Town Common in West Boylston, MA. Keep an eye on Mychael’s website for additional upcoming show dates, as they’re added.

Live Review: 3nd Annual Local CountryFest

Mychael David at Local CountryFest

Mychael David; photo by Geoff Wilbur

3rd Annual Local CountryFest

Indian Ranch, Webster, MA

September 29, 2019

This popular annual event draws more fans every year while presenting the very best local country music. Organized and promoted, as always, by Octo Rock Cinema Productions, this year’s 3rd Annual Local CountryFest lived up to the high expectations attendees now have of it.

I’ve reviewed this event every year so far (see my reviews of 2017’s 1st annual and 2018’s 2nd annual), and I look forward to next year’s year number four, but let’s not get ahead of ourselves. This year, Backyard Swagger performed on the Corral Stage as the gates opened. Then the performances moved to the main stage, featuring short sets by Meghan Lynch, Ayla Brown and Rob Bellamy, Taylor O’Connor, Tim Buono, and Matt York and full-length, full-band sets by Lyssa Coulter, the Jake Ash Band, Mychael David, the Darren Bessette Band, Annie Brobst, and No Shoes Nation.

Magician Steve Charette at Local CountryFest

Steve Charette; photo by Geoff Wilbur

But first I’d like to talk about the venue. Indian Ranch is very cool. It’s big enough for a big stage show but small enough that every seat feels intimate, definitely compared to most other decent-sized outdoor concert locations. The venue is also home to The Indian Princess, a riverboat that gives tours of the lake, a campground, the very nice Samuel Slater’s Restaurant, and a banquet hall/function facility. Yes, I’ve only ever attended concerts at the amphitheater, but the entire grounds seem well worthy of future visits.

With so many artists performing, I’ll keep each review quick, drop in a band photo, and move on to the next, especially since the posting of this review has been so delayed that I have to lean almost strictly upon my notes. Hopefully it’ll be enough to give you a sense of each band’s performance.

I arrived a little late, but I did catch the last couple of songs of Backyard Swagger’s Corral Stage set. Ayla Brown and Rob Bellamy then performed the national anthem on the main stage before yielding the stage to Lyssa Coulter’s full band performance.

And on the grounds, attendees were treated to the magic stylings of Steve Charette, who was as impressive this year as he had been when I first saw him perform during the 1st Annual Local CountryFest.

Backyard Swagger at Local CountryFest

Backyard Swagger; photo by Geoff Wilbur

Backyard Swagger

Before the national anthem, Backyard Swagger kicked off the day’s music with a performance at the Corral Stage as fans filed in. Their fun rendition of “Man I Feel Like a Woman” was being performed as I approached. The group also delivered a lively rendition of “Little White Church” with kick and punch, a version of Maren Morris’ “Rich” sporting a fun, funky rhythm, and a performance of “The Devil Went Down to Georgia” that showcased Miriam Smith’s blistering fiddlework. Backyard Swagger closed its set with “Any Man of Mine,” a tune ideal for Diane Ferullo’s voice, driven home by the band’s booming rhythm section.

Lyssa Coulter at Local CountryFest

Lyssa Coulter; photo by Geoff Wilbur

Lyssa Coulter

After Ayla and Rob delivered “The Star-Spangled Banner” to kick things off on the main stage, the Lyssa Coulter Band launched into its set. Lyssa Coulter has been a mainstay at Local CountryFest, moving up the performer food chain each year. This year, she finally landed a main stage, full-band, full-set performance, and she not only owned the stage this year with her full-band, eight-song, main-stage performance, but she delivered with some serious charisma and vocal talent, leaving no doubt that she’s a bona fide front-line New England country act.

Lyssa kicked things off with “Whiskey in the Twilight,” a tune that showcases her best vocal qualities, those that are most identifiable, a great opening song choice. Lyssa’s sensitive vocal quaver worked well on the heartfelt “Maybe Tonight.” Her “Should’ve Said No” cover was energetic. “By Myself” sported an emotional, moving wail. Indeed, Lyssa’s originals are always the songs best-suited to her voice, as if they’ve been written with her unique strengths in mind.

And, speaking of originals that utilize Lyssa’s vocal skills, she closed the set with “Curisin’,” her summer single. This is one of those upbeat, catchy, teen-movie-friendly numbers. And this one, in particular, has a catchy, playful guitar line. Lyssa has established herself as a marquee local talent in her lane. I really dug this set.

Meghan Lynch at Local CountryFest

Meghan Lynch; photo by Geoff Wilbur

Meghan Lynch

Pop-country singer Meghan Lynch – from Boston but now based in Nashville – followed with an acoustic set. I wish my notes were more detailed, but the short set was fun. She kicked things off with “Wild Guess,” sung with a heartfelt vibe. She followed it with original “My Greatest Mistakes.” Meghan closed her set with an energetic, bubblegum, pop-country, fun number “Party Girl.” The quick four-song set was over too quickly. Here’s hoping Meghan will be back again next year.

The Jake Ash Band at Local CountryFest

The Jake Ash Band; photo by Geoff Wilbur

The Jake Ash Band

I was psyched for this. I’ve been following The Jake Ash Band for a while, and this was my first chance to catch them live. They did not disappoint. They kicked off with “Five Star Dive Bar,” complete with driving guitar, great storytelling, and reminiscing vocals. Catchy, this song sounds like it’ll grow on you. Next up, on “Easy on the Eyes (Hard on the Heart),” I really liked the way the piano line prominently drove this song. My notes even tripled use of this word for this song: catchy, catchy, catchy. “Sweet Babies” had a raucous energy with a great use of vocal pause-and-punch. The band’s October 4th release, “Tequila Season,” followed. Then catchy, hooky, fun, guitar-crunching “Wedding Ring Money.”

After a powerful, edgy, bluesy-rocking country numbers (whose title I didn’t glean), the JAB launched into “Devil Went Down to Georgia” and “Mountain Music” before closing with original “25 Again,” a powerful song, “on 11” from beginning to end, followed by a frantic close. It’s obvious why it’s a fan favorite, a terrific way to close a set, leaving the crowd buzzing.

Ayla Brown and Rob Bellamy at Local CountryFest

Ayla Brown and Rob Bellamy; photo by Geoff Wilbur

Ayla Brown and Rob Bellamy

The next acoustic set featured this exceptionally well-matched duo. On set-opener “Always Have a Home,” as throughout the set, Rob’s deep textured voice was complemented by Ayla’s softer, sweeter tone. The “white space” was as musically important as the guitar, at least in this acoustic arrangement. Next up was a cover of A Star is Born‘s “Shallow.” On this powerful ballad, Rob’s rich voice kicked things off, followed by Ayla’s warm, also-rich voice. “Built That Way” was about the purest country song there is, about praying, patriotism, and working hard; it was delivered powerfully and sincerely, as they have the requisite vocal chops for this song to hit home the way it was intended. Ayla and Rob closed their set with “The Honeymoon Phase,” a fun, clever, light-yet-lyrically-interesting, catchy tune.

Mychael David at Local CountryFest

Mychael David; photo by Geoff Wilbur

Mychael David

The marquee old-school country voice of Central Massachusetts for quite some time, a singer with an impressive national pedigree, Mychael David took the stage next for a long set with his full band. Sporting a deep, powerful, timeless country voice and endless talent and surrounded by some of the region’s best musicians, a Mychael David full-band concert event is always a treat.

The band opened with “Even the Man in the Moon is Crying,” followed by “Folsom Prison Blues” – so much axe talent in the band, they totally rocked this! In fact, it’s such a great fit, the band included “Folsom Prison Blues” on Mychael’s most recent album, Heroes & Honkytonks.

Next up was “Smoke and Ash.” As here, Mychael’s old-school, rich country voice can carry a set. Always. Anywhere. But Howie Swett’s wailing riffs put this song over the top.

After a cover of “Country Roads” that nailed that pluckin’ country energy, the band rolled on to “Some Gave All.” This ballad “to veterans and to those who never made it back” is always a misty moment during a Michael David set. This swaying, sad ballad was punctuated by Mychael walking through the crowd shaking as many veterans’ hands as possible. A true, sincere, patriotic mid-set moment.

After uptempo “That Ain’t My Truck,” the band closed its set with “Goodbye is Still Goodbye,” a country rocker driven by an energetic guitar line and subtle hooks, complementing Mychael’s rich vocals.

Taylor O'Connor at Local CountryFest

Taylor O’Connor; photo by Geoff Wilbur

Taylor O’Connor

Taylor O’Connor’s short acoustic set was next. Showcasing serious twang for a Grafton girl, Taylor delivered a solid cover of Luke Combs’ “When It Rains It Pours,” featuring vocal tempo and pace changes. Next up was “Reset Button,” an original that highlighted Taylor’s nice, tuneful voice. Finally, Taylor’s performance of “Wine Again” impressed; there was a bit of an emotional warble on this song that really delivered the goods.

Darren Bessette Band at Local CountryFest

Darren Bessette Band; photo by Geoff Wilbur

Darren Bessette Band

The Darren Bessette Band followed, opening with “It’s a Long Way Down,” a song that prompted me to note “rockin’ country, tight band, great vox.” That about sums it up for this crowd-pleasing assemblage of consummate country music pros.

I was particularly impressed by original “Tail Lights,” an old-school country music hall type of song. It sported a steady rhythm, but the guitar line was active, giving the soundbed character to complement Darren’s expressive vocals.

Cover songs ranged from Dolly Parton’s “Jolene” to Eddie Rabbitt’s “Driving My Life Away,” delivered flawless and timeless. And the set closed with “I Love This Life.” A great set of crowd favorites, showcasing this talented band.

Tim Buono at Local CountryFest

Tim Buono; photo by Geoff Wilbur

Tim Buono

Tim Buono’s short set was next. He opened with a laid-back country song (whose title I missed). My favorite song of Tim’s set was his original “Anyway,” with soulful emotion dripping from every syllable – an absolute must-hear! And he closed his set with a cover of Brad Paisley’s “Little Moments,” again featuring emotional vocals, almost seeming like they the words themselves were about to crack. Whew!

Annie Brobst Band at Local CountryFest

Annie Brobst Band; photo by Geoff Wilbur

Annie Brobst

The Annie Brobst Band was next. As has been the case every time I’ve seen this world-class outfit, they owned the big stage, delivering a big concert performance. They kicked things off with energy via “You Either Love Me Or You Don’t.” Next up: “Still Water,” a song whose dancing rhythm guitar live added character and motion to this catchy, mid-range number. Oh, and the cool vocal bridge added even more character.

After “Change of Heart,” Annie and band went whiskey – original “Whiskey Colors,” a dynamic personal favorite delivered with a catchy use of stop-starts and a funky bass bridge and “Whiskey Glass,” which featured crowd engagement. Then went wine. New original “Red Wine On My Mind” sounds like a real crowd-pleaser, a singalong-able tune that builds to power and even features a little guitar shredding. Well done.

Then, after “Love You More,” Annie delivered “Ghost,” a smooth, rich, full song to close the set.

Matt York at Local CountryFest

Matt York; photo by Geoff Wilbur

Matt York

The last acoustic mini-set of the day belonged to Matt York. He opened with an energetic, fast-strumming, country story-song growler, then a strummer with a deep growl. He closed with a cover of Billy Joe Shaver’s “Fit to Kill and Going Out in Style,” delivered engagingly with that all-knowing, smirky vocal edge. Exceptionally well done.

No Shoes Nation at Local CountryFest

No Shoes Nation; photo by Geoff Wilbur

No Shoes Nation

Local CountryFest closed with a set from No Shoes Nation, the Kenny Chesney tribute band that’s a huge local draw with its tight musicianship and near-flawless delivery of Chesney’s hits.

The band opened with “Reality” and closed with “Beer in Mexico.” Highlights in between included “Everything’s Gonna Be Alright,” which had the crowd swaying, and “Boston,” an obvious local favorite. Also, my personal favorite Kenny Chesney tune, “She Thinks My Tractor’s Sexy.” Across a set that spanned more than a dozen songs, No Shoes Nation wrapped up a day of great local country music with an energetic, funny, very true-to-Chesney set.

No Shoes Nation at Local CountryFest

No Shoes Nation; photo by Geoff Wilbur

I’m already looking forward to next year’s Local CountryFest – this concert has quickly become a must-attend annual event on the local music calendar.

Live Review: 2nd Annual Local CountryFest

Scarlett Drive; photo by Geoff Wilbur

2nd Annual Local CountryFest

Indian Ranch, Webster, MA

September 23, 2018

The 2nd Annual Local CountryFest, organized and promoted by Octo Rock Cinema Productions, seems to have quickly become an annual pilgrimage for local country music fans. I really enjoyed last year’s inaugural event (as you recall if you saw the review) and had been looking forward to its follow-up. This year, another decent-sized, fully engaged crowd came out to see a line-up that included a significant portion of the area’s top country artists. Decent fall weather served as the backdrop for a show structured with short acoustic performances interspersed between the full sets to keep the audience engaged. Lyssa Coulter performed on the Corral Stage while the crowd was filtering in. Then the performances moved to the main stage, featuring short sets by Liz Bills, Steve Robinson, April Cushman, Lyssa Coulter, Mychael David, and Tom Revane and full sets by Tequila Bonfire, Back Rhodes, Timmy Brown and Black Diamond, Annie Brobst, the Houston Bernard Band, and Scarlett Drive.

Lyssa Coulter at the Corral Stage; photo by Geoff Wilbur

The venue itself is one of the coolest places to catch live music outdoors in central Massachusetts. The big stage at the Indian Ranch campground sees a lot of big-name acts that country music fans (and classic/southern rock fans) would enjoy each summer. At one edge of the concert grounds is a dock where you’ll see The Indian Princess, a riverboat that gives tours of the lake. You know I love unique concert settings, and this is a cool place for a show.

With so many artists involved at Local CountryFest, I’ll write a quick paragraph or two about each band, drop in a photo – I hope I have decent shots of all of them – and move on. I’ll save fuller artist reviews for when I catch their live shows or review their recordings.

I arrived during the last few notes of Lyssa’s Corral Stage set, just in time to join the crowd for Scarlett Drive’s performance of the national anthem to kick things off, quickly grab a cheeseburger, and hear Liz Bills’ opening set on the main stage.

Liz Bills; photo by Geoff Wilbur

Liz Bills

You know we’re big fans of Liz Bills here at the Blog, most recently reviewing Liz’s eponymous EP. Liz’s powerhouse voice lends itself to psychedelic rock, whether hard rocking, as is often the case when she takes the stage with Analog Heart, or a more jangly version, still ’60s/’70s-rooted, in a more acoustic setting. And, while she’s not a pure country artist, I’m glad she was included at this event, as she has become one of the area’s top voices, and her style should appeal to the rocking side of a lot of the area’s country music fans. Liz’s short set showcase both the power of her voice and her range, with the power being represented by “Born to Wander.” She closed her set with one of my favorite songs from her EP, “The Bomb Song,” which is janglier and more airy, showing off the folk-rock edge of Liz’s style. The song selection this afternoon was a great sample of Liz’s singing and performance skills.

Tequila Bonfire; photo by Geoff Wilbur

Tequila Bonfire

The first full set of the day came from the 2017 Worcester Music Awards winner (and perennial nominee) for Best Country Act, Tequila Bonfire. I hadn’t seen these guys before, but they lived up to their reputation of providing a rockin’ country good time, kicking things off with “Let the Games Begin,” a song that adds a unique vocal vibe to an otherwise straightforward modern country sound.

Other standout songs of the set were the band’s powerful rendition of “Life is a Highway,” more mid-tempo rockin’ performance of Old Dominion’s “Hotel Key,” and their fun cover of Keith Urban’s “Somebody Like You.” Tequila Bonfire has the chops and knows how to engage the crowd on a big stage; I can easily see why they’re a regional favorite, and deservedly so.

Steve Robinson; photo by Geoff Wilbur

Steve Robinson

A late addition to the bill, we were lucky to have Spotify top 100 artist Steve Robinson join the event. I’m not a chart-follower or I would have known to be excited about his inclusion at the event. He has a memorable tone to his voice, and that heartfelt, achy, strong vocal that’s clearly meant to be a radio (and live) favorite. All three of his songs were the sort that kept my attention, but I was particularly impressed with “Little Piece of Me,” for which my notes simply say “dig the sincerity!” Yeah, it’s one of those songs. Steve closed his mini-set with a crowd-pleasing rendition of “Rockstars.”

Back Rhodes; photo by Geoff Wilbur

Back Rhodes

The next band on stage was another whose name I had seen repeatedly but whose shows I hadn’t yet made it out to, so it was a pleasure to catch Rhode Island’s own Back Rhodes. I’d describe their lane on the country music highway as a traditional country music foundation with a modern country twist. Featuring a fiddle and banjo in the line-up and led by deep vocals, Back Rhodes has the tools to pull it off.

They kicked their set off with Dierks Bentley’s “What Was I Thinking” and closed it with a rousing rendition of The Charlie Daniels Band’s “The Devil Went Down to Georgia.” One tune that stood out for me during the set was the band’s new song, “Big Spender.” Featuring an old-school country foundation, the song was full-on new country whenever the band kicked things up a notch. There were subtle little musical hops and kicks, especially late in the song, that are the sorts of details that give a tune a memorable style. With their unique country brand, Back Rhodes is an interesting band to keep an eye on, and clearly already a fun band to see perform.

April Cushman; photo by Geoff Wilbur

April Cushman

The next short set featured the soft, lush vocals of April Cushman. Very warm and easy-to-listen-to, April’s voice and style would be equally well-suited to an intimate listening room or a big stage. The one song I noted, in that it showed the breadth of April’s range, was her rendition of the Dixie Chicks’ “Cowboy Take Me Away.” Her performance displayed a sort of rolling power in the vocals but remained soft and appropriate for its acoustic guitar accompaniment of this particular performance.

Timmy Brown & Black Diamond; photo by Geoff Wilbur

Timmy Brown and Black Diamond

Though I had heard about Timmy for quite some time, last year’s Local CountryFest was the first time I saw his band live. If possible, and I’m not sure it is, the band is even tighter this year. No one can whip a New England crowd into a frenzy quite like this local boy can, and his performance once again amped up the energy at this year’s concert. Two-time New England Country Male Artist of the Year, Timmy relied on a mix of well-considered covers and hard-driving originals for this set. (Notice what they have in common.) Covers included “Leave This Town” and, notably – I told you he could whip a New England crowd into a frenzy – a terrific rendition of “Sweet Caroline” that really showed off his rich, deep voice.

Timmy’s originals are so familiar-sounding that they often feel like songs I’ve known for a long time, particularly within the context of his set list, which means he’s always playing to his strengths. Timmy’s songs range from the down-home country of “Leave This Town” to the crowd-pleasing party song “How We Drink Here.”  Timmy closed his set with a laid-back, nostalgic-sounding, everyday, relatable, crowd energy-lifting tune, “Lil Bit,” one you’d stylistically expect to hear on country hit radio. It’s always a pleasure to catch a set by Timmy Brown and Black Diamond. They’re a tight musical act, and their performance is a guaranteed good time.

Lyssa Coulter; photo by Geoff Wilbur

Lyssa Coulter

Though I missed all but the last 30 seconds of Lyssa’s as-the-crowd-files-in performance at the Corral Stage, I was fortunate she had this three-song spot later in the show. 2018 New Act of the Year award winner at the New England Music Awards, Lyssa’s voice has a characteristic warble when she hits some of the softer notes, and she showed it off particularly well on her originals. Notably, “Whiskey in the Twilight,” a very young-feeling pop-country song that showcased her stylistic calling card. Lyssa’s mini-set also featured a cover of Taylor Swift’s “Mean,” the sort of cover that seamlessly fits with her young, light, poppy country music style.

Annie Brobst; photo by Geoff Wilbur

Annie Brobst

Nobody. Simply nobody. Owns a stage better than Annie Brobst does. And musically, Annie’s a one-of-a-kind on the local country scene, too, coupling her identifiable, sweetly powerful voice with her big stage presence to deliver a “strong country girl” persona.

As is sometimes the case at fun concerts, moreso lately it seems, I caught myself grooving to Annie’s set rather than taking notes, but I do believe she opened with the first single from her new album, My First Rodeo, “Love You More.” And she followed it with one of my favorites from the disc, a song with softly rolling strength and power, the more-energetic-than-its-tempo “Still Water.” Annie closed her set heartstring-tugging, memorable “Change of Heart,” one of the songs that showcases the rich side of her country voice.

Running the gamut from heartfelt melodies to rockin’ country, an Annie Brobst set, particularly on a big stage, is a concert event.

Mychael David; photo by Geoff Wilbur

Mychael David

After Annie, Mychael David took the stage to perform a couple songs, solo and acoustic. A local country festival wouldn’t have been complete without this rich, classic, timeless voice that has entertained area crowds since before the local country music scene’s recent renaissance, so even though we didn’t get the treat of hearing his full band – I reviewed The Mychael David Project’s full band show a couple years ago – his two-song acoustic mini-set was still a special treat. He’s flanked by an exceptionally impressive guitarist and bass player in his full band (shoutout to Howie and Pete), so you forget how well he wields the axe himself until you catch a solo gig. But once Mychael starts to sing, no matter what, it’s always about his voice. And he brought that with him this past weekend.

Though he can cut across the country landscape – in many ways, in style and sound, a lot like Garth Brooks – Mychael’s music tends to be underpinned by the more classic end of the spectrum, and he skewed a old-school in this set. He opened with “Put Your Badge Back On,” a deeply emotional storytelling song from his new album, Heroes & Honky Tonks. Then, with a nod to the past, he covered Radney Foster’s “Texas in 1880,” one of those wide-open spaces songs. The set was too short, but it reminded me it’s been more than a year since I heard Mychael perform a full set; I’ll need to remedy that ASAP.

Houston Bernard Band; photo by Geoff Wilbur

Houston Bernard Band

The Houston Bernard Band delivered a crowd-pleasing set of big-stage-geared songs mostly culled from their new EP Lucky Man. Powered by Houston’s rich, deep voice surrounded by technically-sound, top-shelf musicians, this was a concert set. Houston Bernard is a headlining act in any country music scene, and I was really looking forward to this show, hoping to be treated to some tunes from Lucky Man, as I’ve listened to the previous disc, Knockin’ Boots, hundreds of times already. So let’s take a run through the band’s outstanding set:

“Wait For It” proved to be an energetic show-starter with a subtle hook I guarantee will get stuck in my head as I give the EP a few listens. “Lucky Man” followed, powered by heavy organ and featuring a cool steel guitar vibe. Next up was “Country Crowd,” a sure-fire, dancefloor-filling crowdpleaser from Knockin’ Boots. “What a Man Should Do” was a soaring crooner, a nice change of pace. “Never Grow Old” combined a comfortable familiarity with a sneaky hookiness. And “We Made Out,” a catchy mid-tempo number, was a great choice for the band’s current single.

Tom Revane Live; photo by Geoff Wilbur

Tom Revane Live

You can’t hold a show in Webster without Tom Revane on the bill. A raucous, loud mix of southern/classic rock-meets-parrothead, a Tom Revane set is a guaranteed party event. Unlike most of the short sets, Tom and band performed in full band mode and kept the audience in an entertainment frenzy.

The short set list included “Gimme Three Steps,” “It’s 5 O’Clock Somewhere,” and “Margaritaville.” The frenzied crowd loved every minute of it. And a not-exactly-country but very entertaining Webster troubadours secured their place in the annals of yet another Local CountryFest.

Scarlett Drive; photo by Geoff Wilbur

Scarlett Drive

Headliners Scarlett Drive brought the fun day of the cream of the local country music crop to a rousing, fitting close. Full of energy and doing a great job working the stage, these local country favorites – and reigning New England Music Awards winners for Country Act of the Year – embraced the well-earned mantle of “headliner.” The band opened with “Blame the Whiskey,” a song full of punch, power, hooks, and harmony. Other highlights included “One More Time,” a song with mid-tempo energy and soulful vocals. This could absolutely be a memorable one. And “Quarters,” a rich, plush, guitar-driven country power ballad – one of those songs that’d have an arena swaying with lighters – or phones – aloft.

Toward the end of the band’s set, the delivered a rollicking, energetic, crowd-pleasing rendition of Little Big Town’s “Boondocks.” Then Scarlett drive closed the show with their original “If You Wanna,” an energetic number that hangs its hat on a heartfelt-flavored vocal. This is one of the many Scarlett Drive originals that’s geared toward a special tone in singer Chris Martin’s voice, supported by the group’s rich harmonies. A great country band in any case, Scarlett Drive’s originals play to their unique strengths. And that’s as it should be. Headliners on this day, Scarlett Drive closed the show out with a flourish.

Scarlett Drive; photo by Geoff Wilbur

One day. Many of the area’s best country music artists. And this really is a golden age of country music in New England, with so many great acts to choose from. This concert was a treat for fans. The acoustic sets between full band sets kept the show moving from beginning to end. And did I say what a cool venue Indian Ranch is for such an event? I love this place. In any case, though I’m still basking in the glow of this year’s Local CountryFest, I’m already looking forward to next year’s. Once the date’s announced, I’m circling it on my calendar.

Live Review: Mychael David Trio at Hudson House Restaurant

Mychael David & band

photo by Geoff Wilbur

Mychael David Trio

Hudson House Restaurant, Hudson, MA

May 27, 2017

Last time I saw Mychael David perform was last summer. (If you recall, I reviewed that show, too.) It turns out he really is as good as I remembered.

This evening’s show in the lounge area of the Hudson House Restaurant and Lounge was in trio format, meaning that Mychael wasn’t performing with his full band. Rather, he was flanked by his exceptionally talented guitarists Pete Early and Howie Swett. Well, technically, Mychael sat on the left, so he wasn’t actually “flanked,” but it was just the three of them.

I caught the band’s first set this evening. They opened with “Nobody Wins,” displaying Mychael’s rich, deep, versatile voice in fine form. It absolutely soared during this song.

Mychael David & band

photo by Geoff Wilbur

Mychael followed that with “I’m From the Country,” a Tracy Byrd song he performed with a bit more twang and during which he showed off his country growl. Next up was “Folsom Prison Blues, during which Mychael featured the deep, powerful, booming side of his voice.

Mychael continued to mix things up a bit, singing a mid-tempo, mid-range number, Mark Collie’s “Even the Man in the Moon is Crying.” Indeed, he has range, and his voice is warm, rich, and strong throughout that range. It’s always a great pleasure to get to hear Mychael David sing.

After letting Pete handle the vocals on Alan Jackson’s “Chasin’ That Neon Rainbow,” Mychael unveiled a couple of the songs on the band’s upcoming album, to be entitled Heroes and Honkytonks.

First up was “Won’t You Put Your Badge Back On,” a song paying tribute to law enforcement, recalling simpler times, and referencing classic television shows. And, of course, performed impeccably. It was followed by “The Dog Don’t Know Sit,” an old-fashioned country-tempo strummer; a fun number, obviously (as if the title didn’t give that away).

Mychael David & band

photo by Geoff Wilbur

Mychael then returned to covers, with “Good Hearted Woman” up next, just confirming that, with the detail in richness in Mychael’s voice, he can sing anything country. And beyond, apparently, as the band closed its set with a rousing rendition of Bob Seger’s “Night Moves,” a version that included an impressively stretched-out “waiting on the thunder” wail.

Always a pleasure catching a Mychael David show and hearing him breeze through a broad range of country music sub-genres, all with a bit of a classic country tilt. And he surrounds himself with exceptional musicians, as Pete and Howie’s guitar playing occasionally stole the show from Mychael’s voice– no easy feat.

Looking Ahead

Per the “tour” page of Mychael’s website, his next gig is Saturday, June 24th in Sterling, MA. On Wednesday, June 28th, he’ll be in Merrimack, NH. And on Thursday, June 29th, he’ll be performing in Northborough, MA as part of Northborough’s summer concert series, returning to the concert series where I reviewed him last summer. Additional shows listed are: Sunday, July 2nd in Wells, ME; Friday, July 14th in Sturbridge, MA; Friday, July 21st in Auburn, MA; Saturday, August 5th in Winchendon, MA; Saturday, August 12th in Boylston, MA; Sunday, August 20th in West Boylston, MA; Thursday, August 24th in Hampton Beach, NH; Saturday, September 9th in Sterling, MA; Sunday, September 24th in Loudon, NH; Saturday, October 21st in Haverhill, MA; and Saturday, November 25th in Clinton, MA. Go to the website for additional details about those shows, and check periodically as Mychael adds addition dates to his concert calendar.

Geoff’s Night Out: The Mychael David Project at Ellsworth-McAfee Park

The Mychael David Project

Ellsworth-McAfee Park (Northborough Summer Concert Series), Northborough, MA

July 14, 2016

The Mychael David Project at Ellsworth-McAfee Park

photo by Geoff Wilbur

The Backstory: About the Northborough Summer Concert Series

Of all of the local summer concert series, Northborough is one of my favorites. Four shows per summer, at 6:00 pm every other Thursday (with Sunday as a rain date). They tend to book top-notch performers (as do many of the local summer concert series), but just as importantly, the seating area is flat and comfortable, there is generally at least one food option if you don’t have time to pack a picnic basket, and there’s plenty of parking, though for those who arrive late it’s grass parking. When I first see the list of performers each year, I check them out online, and even though my availability is the key determinant of whether or not I attend, a quick listen to Mychael David’s music online suggested this was a show I didn’t want to miss.

The Show

With storms approaching, the organizers kept a close eye on the weather but made the appropriate call… just barely; the rain began falling during my drive home after the show. The result of the approaching storm, however, was a relatively cool summer evening ideal for an outdoor concert. In spite of weather concerns, the turnout was very good. Now, about the concert…

The Mychael David Project at Ellsworth-McAfee Park

photo by Geoff Wilbur

Mychael’s rich, full, deep, emotive vocals are this band’s calling card. It’s a special voice, capable of everything from ballads to rockers and great on the mid-tempo, laid-back-but-still-energetic songs that seem to be his sweet spot. He gets support from Susan Jayne on vocals, some impressive guitar shredding from guitarist Howie Swett, and some sweet keyboard work from Glenn Stegner, with the tight rhythm section of Pete Early and DC Carter rounding out his concert-caliber line-up.

Yes, there’s traffic in downtown Northborough at this time of day, so I may have missed the first song or two, but upon my arrival I was treated to the fun, rockin’ Southern rock-style country number “It’s All About Tonight” (with apologies to the artist if I don’t get the song titles quite right).

The band showed its versatility over the course of the evening. Mychael’s “Heartbreak Song” showcased his deep, emotional, tear-jerking vocals. The energy and tempo changes within “Hang on Tight” set it apart as a worthy listen. And “Little By Little,” a mid-tempo duet with Susan, was a pleasant, almost Buffett-esque tune with perhaps a little more guitar twang and some rocking Howie Swett axework.

The Mychael David Project at Ellsworth-McAfee Park

photo by Geoff Wilbur

Also worth noting were the Johnny Cash “Folsom Prison Blues” cover that got the crowd clapping along and took full advantage of the low end of Mychael’s vocals. And “Take a Lot to Make a Livin’,” a rollicking working-man’s country rocker; it’s so effective because Mychael delivers it with such conviction.

“Smoke and Ash” sported a growly vocal and a little funky guitar riff, while even on a mid-tempo twanger like “Goodbye is Still Goodbye,” Mychael’s vocals are still as crisp and clear as ever while still projecting full emotion. Did I mention that there’s a special nature to his vocal talent? I believe I did.

Finally, toward the end of the show, Mychael and band rolled out his biggest hit, “Nothin’,” a mid-tempo tune with lyrics that really connect, especially thanks to Mychael’s deep, emotional, powerful voice. The song is very catchy; I can see easily why it was a hit.

Looking Ahead

The Mychael David Project at Ellsworth-McAfee Park

photo by Geoff Wilbur

The Mychael David Project lists a lot of local dates over the coming months, so you may have an opportunity to catch the band yourself if you live in New England, particularly in eastern or central Massachusetts. The next few shows listed are Friday, July 22nd for the Center of Hope Benefit at the Indian Ranch in Webster, MA; Saturday, July 30th at Halligan’s in Auburn, MA; Saturday, August 6th for the Massachusetts State Chili Cookoff at the American Legion in Winchendon, MA; Saturday, August 13th at Forty’s in Leominster, MA; and Saturday, August 13th at the Straw Hollow Engine Show on Cross Street in Boylston, MA. Check the “Tour” page on Mychael’s website for additional information on those and additional upcoming shows in Massachusetts, New Hamphire, and at the Woodstock Fair in Woodstock, CT.

As for the Northborough Summer Concert Series, there are still two more upcoming concerts. Hit the Bus performs Thursday, July 28th, and Eclipse closes this summer’s series on Thursday, August 11th. Shows run from 6:00 to 8:00 pm. You can find more information on the Northborough Community Affairs Committee’s website here.